A Quote by Anita Shreve
WWI is a romantic war, in all senses of the word. An entire generation of men and women left the comforts of Edwardian life to travel bravely, and sometimes even jauntily, to almost certain death. At the very least, any story or novel about WWI is about innocence shattered in the face of experience.
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I did this film with Russell Crowe called 'The Water Diviner,' which took place just after WWI. It was fascinating because the weapons between WWI and WII were very different. I had to learn how to ride horses in a battle setting. It was important that we rode a certain way.
I am a messenger who will bring back word from the men who are fighting (WWI) to those who want the war to go on forever. Feeble, inarticulate will be my message, but it will have a bitter truth and may it burn their lousy souls.
During high school I worked in a retirement home. I spent many wonderful hours hearing from service men and their widows about WWI.
The sinking of the Lusitania wasn't the proximal cause for the U.S. entering WWI. It was almost two years between the sinking and the war declaration, and President Wilson's request for war never mentions the Lusitania.
This book is to be neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it. It will try simply to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war.
Pershing won [WWI] without even looking into an airplane, let alone gong up in one. If they had been of such importance he'd have tried at least a ride. . . . We'll stick to the army on the ground and the battleships at sea.
I am now working on the second WWI story and find the challenge marvelous.
It is important to remember when making jokes about women, that they are not a minority. They weren't captured on another continent and brought here in leg-irons (funny shoes, yes, but not leg-irons) and Hitler didn't blame them for Germany's loss in WWI. Therefore, you can make any kind of fun of them you want.
Romantic fiction, in the broader sense, can be any novel that has a love story somewhere in it. It can be a mystery or a historical novel, as long as it has this very strong romantic thread running through it.
It was 1981. I was working on a novel. And I put that novel aside one day after I read a newspaper article. The story said there were 19 women still on the pension payroll who were Confederate war widows. They were women who very early in their lives had married very old men.
...The war (WWI) cost your Uncle Sam $52 billion. $39 billion was expended in the actual war period. This expenditure yielded $16 billion in profits.
in this great war [WWI] ... they had, all of them, on all sides, lost their freedom. The freedom to think hopefully of the future.
Some people spend their entire lives thinking about one particular famous person. They pick one person who's famous, and they dwell on him or her. They devote almost their entire consciousness to thinking about this person they've never even met, or maybe met once. If you ask any famous person about the kind of mail they get, you'll find that almost every one of them has at least one person who's obsessed with them and writes constantly. It feels so strange to think that someone is spending their whole time thinking about you.
When the war (WWI) finally ended it was necessary for both sides to maintain, indeed even to inflate, the myth of sacrifice so that the whole affair would not be seen for what it was: a meaningless waste of millions of lives. Logically, if the flower of youth had been cut down in Flanders, the survivors were not the flower: the dead were superior to the traumatized living. In this way, the virtual destruction of a generation further increased the distance between the old and the young, between the official and the unofficial.
For as long as men and women have talked about war, they have talked about it in terms of right and wrong. And for almost as long, some among them have derided such talk, called it a charade, insisted that war lies beyond (or beneath) moral judgment. War is a world apart, where life itself is at stake, where human nature is reduced to its elemental forms, where self-interest and necessity prevail. Here men and women do what they must to save themselves and their communities, and morality and law have no place. Inter arma silent leges: in time of war the law is silent.
What's compelling about the story and what's very honest about the story is that it's very real and it's happening. There are 200,000 women in active duty, and over 40% of them are moms. This experience is shared by thousands of women, and no one is right or wrong.
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