A Quote by Anitta
I come from the ghetto in Brazil, where we don't have a lot of career opportunities, so I'm sure my family and people who live there never imagined that one day I'd become a singer and be able to perform at an event like the Olympics.
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Every night, I don't care if I'm doing interviews that day or photo shoots that day, what's most important is that I'm making sure I'm right and tight for the show. These people all come out to see me, so I have to perform and make sure that they never forget it.
I've never had to deal with ageism - so far - in my career; I have been able to navigate my career and getting older and the roles and opportunities that have come to me.
I mean, that's the least we should do for these men and women [veterans and military spouses], is to make sure they come back to jobs that pay, to career opportunities, that these spouses are able to add a second income to their households, because these families do not have a lot of resources.
If the Negro in the ghetto must eternally be fed by the hand that pushes him into the ghetto, he will never become strong enough to get out of the ghetto.
Did people care about how a singer sounded live back in the day? I don't really feel like they did. Not everything was being filmed. Today, one huge mess-up, and millions are seeing it. There's a lot more on the line nowadays. We're so cautious and scared of messing up. It adds a lot of stress to a career.
I've never wanted to live in a ghetto or write in a ghetto. I want to write about a world that reflects the one most people live in. Gay people are just one aspect of that.
I was able to come out to my family, but other than that I couldn't come out to co-workers or to friends because of what that would mean for my military life and my career. That made my life difficult, because I felt like I was constantly conflicted and at war with myself every day that I faced people.
I moved to the United States for two reasons: to train with the best coach in the world, Rafael Cordeiro, and be able to train and live with my family, something that I couldn't do back in Brazil. It was the best decision I ever made in my life and career.
If you live in a ghetto and really want not to just change your life and your family's life but change your ghetto's life, make your ghetto a good neighbourhood, learn science; try to be like Mark Zuckerberg, Bill Gates and Steve Jobs.
If you live in a ghetto and really want not to just change your life and your family's life but change your ghetto's life, make your ghetto a good neighborhood, learn science; try to be like Mark Zuckerberg, Bill Gates and Steve Jobs.
I came to filmmaking as an actor looking for great characters and great opportunities, both of which are kind of hard to come by. It turns out I really love the process. And, it's exciting to be able to take my career by the reigns and make things happen for myself. Hopefully, in doing so, more opportunities will become available to me.
It's quite rare for a group of people to come together for a live event that isn't loud music. A live event that enables thinking to take place, to take place collectively. It's unique to theatre. It's a quality I never want to see diminished.
A lot of my career is mental, and I just have so much perspective from being raised in a city like Detroit and being able to come and live the life that I do now. To see that broad of a spectrum is really helpful for relating to people and feeling them.
If you are on television, that one night that someone is able to see you, you're talking about millions of people in one day. That's pretty awesome because then it helps you to jumpstart your career, and if you're the one to go out there and perform, people are going to come see you because those millions saw you on the television.
For some reason that only a sociologist might be able to accurately explain, the Brazilian Press was extremely unkind to me, reporting only selective derogatory untruthful rumors (some of which are still around), harsh criticism, and unwarranted sarcasm. I was very hurt by this. It was such great disappointment... When I came back from Brazil at that time, I made a promise to myself that I would never, ever again sing in Brazil. So far [as of 2002], I have kept this promise, having declined each and every invitation or proposals to perform in Brazil. Once was enough!
I want a guy who's going to be accepting of - one, my big 'ol, loud Mexican family - and also my career, because it's a lot. I don't want someone who's like... 'Oh, you don't have time for me'. Like, I want somebody who's sure of himself and gonna be like, 'Okay, you go do your thing, and when you come back, we're good.'
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