A Quote by Anjelah Johnson

There's been roles that I have turned down. There's no rule book or handbook... It's just... whatever I'm comfortable with. — © Anjelah Johnson
There's been roles that I have turned down. There's no rule book or handbook... It's just... whatever I'm comfortable with.
Yes. Otherwise I could have done a lot of Hollywood movies. After Crouching Tiger I got a lot of offers, but I turned them down because they were all victim roles - poor girls sold to America to be a wife or whatever. I know I have the ability to go deeper, to take on more original roles than that.
I've been very lucky not to have turned down too many roles that I've later regretted.
I turned down 'American Gigolo.' There are many films - like 'Ghostbusters' - that I turned down... The first one I did was 'Foul Play' with Goldie Hawn, but I turned down 'Animal House' - I turned that down.
I subscribe to the theory that reading a book is similar to walking a trail, and I'm most comfortable walking when I can see where I'm going and where I've been. When I'm reading a printed book, the weight of the pages I've turned gives me a sense of how far I've come.
I don't want to let my guard down and feel too comfortable. If you become complacent, you start feeling entitled. I'm ready to go dig ditches if I have to. Whatever I gotta do to provide for my family. Whatever I gotta do to make sure that I do the best possible job at whatever wonderful opportunities I've been handed.
There would always be scripts that came along that I turned down, like Gang Member #5 - roles that were just stereotypes.
'New Mutants' is the absolute definition of a broken down jalopy, and I took it on, and I just remade it... That's why I was so cocky and confident: because I was like, 'I just turned around this broken down comic book with products of my imagination.'
With devices my technique is always to hide the handbook in the drawer until I've played with it for a while. The handbook always tells you what it does, and you can be quite sure that if it's a complex device it can do at least fifteen other things that weren't predicted in the handbook, or that they didn't consider desirable. It's normally those other things that interest me.
I've been asked to write a book several times; I've had several publishers come to me and offer me book deals. Especially right after I left Dream Theater and Avenged Sevenfold, there was a lot of drama going on in my life, so the book companies came at me thirsty for blood and gossip. And I turned down all the deals.
I was getting offers. I had just turned them down. Then I realized I should be grateful that at age 54, people were still offering me film roles.
I'm more than comfortable just sitting back and scoring 21, 22 points or whatever and getting 10, 11 assists whatever the case might be. More than comfortable with that. It's just a matter of the pieces that you have around you and what you can do to elevate everybody else.
Certain roles for older women are aimed at certain older actresses - I'm not one of those. I've been offered any number of Puerto Rican grandmas that I've turned down.
The culture at Valve is pretty much crowdsourced. The handbook is a wiki. One of the first things we say to new hires is, 'You have to change something in the handbook.'
I've never been turned down for a role because I'm gay. I'm a character actor, and that's probably why. I don't find Hollywood, in my own experience, to be homophobic. ... But I do think the straight folks will continue to play the straight roles.
I've turned down a lot of roles to make time to record and tour.
I've turned down a few roles because I couldn't see myself in them.
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