A Quote by Anjelah Johnson
My goal's always to connect and relate to my audience. I want them to leave my show feeling like they got to know me better - not only that, but like we could be friends. I want people to leave going, 'Oh my gosh, I could totally hang out with her!'
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I want to satisfy the listener, exactly. I want to entertain the audience. I want the people to leave the show with the feeling I used to leave shows with when I was young, and I couldn't get over it for another three or four days after it. I just kept reliving the set in my mind.
I don’t know. But it’s my option. I don’t want to leave Chicago. I want to be successful here. I want to help this team, like I always say, be in the pennant race… I don’t want to leave, and I don’t think I will leave.
You know, if you have a zoo you don't want the other creatures to see you. You want them to hang out and act properly and, you know, when the monkeys will come and ask for the bananas, they won't act like monkeys. If you want them to act on what their true nature is, you've got to leave them alone.
You want people - I want people to relate to me as a character. I want them to go, 'That could have been me,' or, 'I know someone like that.'
I drink every night. But I don't hang out and party. Not that I'm selling out Madison Square Garden, but in the old days after a show you could hang out with a few people. But now you're hanging around with 20 people, all of whom don't know each other, and they're all, "Leave my outgoing greeting on my voice mail, man, come on!"
Her face felt like it was scattered in pieces and she could not keep it straight. The feeling was a whole lot worse than being hungry for any dinner, yet it was like that. I want--I want--I want--was all that she could think about--but just what this real want was she did no know.
It was important to me to be cool as a comedian. I didn't want to be a crowd-pleaser who sent out the vibe of, "I need you guys." I wanted to be so cool that the audience could leave and I would still be killing, that I didn't want to have to rely on them or need them. That really appealed to me.
In my mind I first felt like, Oh, I'll be back to work right after the babies are born. But then you don't want to. Even now, it's very difficult for me to leave them in the morning. It just tortures me. I'm like, It's been hours; are they wondering where I am? Do they know that I love them so much and I'm thinking only about them?
If I want to see someone, I want to see them, and if I don't, then I don't. My friends are always telling me I have to play hard to get because I'll pretty much say to a guy, 'I like you - let's go hang out.' But my friends are like, 'You can't do that! You have to string this guy along.' And I'm just like, 'No! I won't! I just want to go on the date!' It's a nightmare - I definitely haven't figured it out yet.
More than anything I want to get up there and hang out with the audience, make everybody feel like it's fun and they're involved and are just, like, friends hanging out in somebody's living room. I went to see Carole King on her 'Living Room' Tour, and that's the kind of feeling I'm aiming for.
Comedy people like other comedy people. People hang out and are friends and do shows together, and when you get something going like a TV show or a movie, you want your friends to be in it and make it funnier. That's just the way it should be.
If I went to a major, you never know - what if they don't like the stuff I do? I could just get shelved. And then I'm stuck in a contract, and I can't leave. And if that happens, you're gonna realize, you're going to start hating it, so the power with being indie is you could do whatever you want.
I'm so in love with my boyfriend right now. Everything is perfect, but we want totally different things in bed. Like, he's always turning the lights on, you know what I'm saying? And I shut them off, and he turns them on, and the other day, he's like, 'Amy, why are you so shy? You know, you have a beautiful body.' I was like, 'Oh my god, you're so cute. You think I don't want you to see me?'
As a performer, I could be like, "I don't want to leave that in there." But as a producer, I have to leave it in there.
It's better to leave them wanting more than to be the show where people are like, "Oh, that's still on the air?"
Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
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