A Quote by Anjelica Huston

I was an avid reader as a child because we didn't have television in Ireland until the mid-'60s. — © Anjelica Huston
I was an avid reader as a child because we didn't have television in Ireland until the mid-'60s.
Just because you're an avid reader doesn't mean you're an avid understander.
I was a very avid reader when I was a child, and I also was a good listener.
I was a child of the '60s basically, which is a real blank. I really started growing up, I think, in the '70s. I'm a glam-rock kid. But Dublin, Ireland in those days was a very dark place, as in it was a very poor, almost third world. Economically, the whole world is going through a recession at the moment. In the '60s, '70s, and the '80s in Ireland was a real recession. It wasn't a pleasant place.
I attended a Baptist church as a child and was an avid reader starting with the Bible.
It's the reason why so many people left Britain like I did in the mid 60s because Britain was exactly the same then as America is today, getting ready to redistribute social wealth and it didn't work. You've seen that in places like Greece, Portugal, Iceland, Ireland where the entire country's business has collapsed, gone bankrupt. That's where America is heading.
I was an avid reader as a child. I am losing that habit now, as my brain congeals into cabbage from wearing too many heels and too much foundation.
I lived in France during the '60s. I was there from the early '60s until 1970, so my view of the '60s is more global. It was a time of tremendous transition, not only for America but for the whole world.
Animation did not become the dominant form of children's television until the '60s.
I've learned to use big words. Because I'm an avid reader, I can prove myself as a smart and diligent person.
In the mid- to late '60s to the mid-'70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.
I mean Ireland, in all honesty I owe Ireland a lot because I think, and I'm not just saying this flippantly, Ireland is probably the reason that I do the job I do because when I started doing stand-up I came to Ireland and I just sort of gelled with the idea of doing it the way I do - telling stories.
Up until the middle to late '60s, it was a choice to film in black-and-white or color. But then television became so vital to a film's finance, and television won't show black-and-white. So that killed it off, really.
I'm an avid reader myself, and what any one reader accesses at any one time is very powerful and personal to them. Clearly you can't even begin to touch that. A novel is a singular vision, and then a myriad of readers have their own experience of that.
I'm an avid biography reader.
I am an avid reader.
I know 'Valerian' didn't do very well in America, but I think it's because of the lack of knowledge of these graphic novels which came out in the mid-60s.
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