A Quote by Anjelica Huston
I like it when you read a script and there's the part that you show to the other characters and then there's the part that only the audience knows.
Related Quotes
This is not a tough job. You read a script. If you like the part and the money is O.K., you do it. Then you remember your lines. You show up on time. You do what the director tells you to do. When you finish, you rest and then go on to the next part. That's it.
When I read [the script] and saw that it was my fanboy wet dream of an Avengers script and that [Agent] Coulson was a big part of it, that was the great day for me. I just drove around the streets with the script in the other seat, giggling.
Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see
Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see.
My solo show, 'A Lot More Me,' is part drag show, part burlesque show, part circus show, and part fashion show.
I wanted the audience to write stories and then read them out if they wanted to. It's always the best part of the show because people are so imaginative.
For me, I wish I loved every script that I read. Sometimes I'm more picky and choosy than I really should be because you would get more jobs as an actor! But you don't know what it is. Sometimes you read something and it could be a big part or a small part. It could be one scene and I'll read it and say: "Wow, I really like that and I really want to do that.".
When I read a script, if I feel it's written with the idea of just bashing other people, then I shy away from it. Sometimes it's some guy coming out with his own hatred, and I don't need to be a part of it.
Sometimes, I can read a great script, and I don't like the part, or I don't think I'm right for it. I mean, there are times I've read really great parts and think there's so many other actors who could do this better than me. And I just say no to it.
I was offered a part in the stage version of 'Calendar Girls,' but the part is so predictable. It just makes me angry when I read the script.
Only a few of us will admit it, but actors will sometimes read a script like this: bullshit...bullshit...my part...blah, blah, blah...my part...bullshit.
I think as a writer, it's important to show the other part of being gay, not only the sex part.
It's much better to invite the audience to be part of your show rather than saying, "I command you to do this." The other thing is, you have to follow through. If you initiate a game and they take part, you can't stop until it reaches a mutually satisfying resolution.
I wasn't a trained actor, I was trained in musical comedy theater, and when you do that, the audience is completely part of the thing. It's like Elizabethan theater. You play the scene, and then you turn - the audience is part of it.
I usually read a script from an audience perspective first, and then look more closely at the character only.
I always read the script, try to imagine myself in the role, then decide whether I have anything to give to the part. If you don't feel like that in the beginning, it is not going to go well.
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