A Quote by Ankit Tiwari

I will take a camera with me in all my trips and capture all the moments which I can savour later. — © Ankit Tiwari
I will take a camera with me in all my trips and capture all the moments which I can savour later.
I love to just listen and watch. I could happily watch a security camera at a store. Often during a day I'll see a guy selling pretzels or an argument that somebody's having on a stoop and I'll think, "Oh I wish I had my camera, I wish I could capture this moment." There's something about people being people and interacting that can be so beautiful when it's framed by a camera. That desire to capture people as they are, and the stubbornness to keep going when they don't necessarily want you to capture them being who they are, are key.
When your arms are out wide, you'll capture love and joy and golden moments but other things, too. Mistrust will sneak in on a wave of that joy, and complications will ride the backs of the golden moments, and there will be both love and the risks of love. That's the way it is. That's the design.
I have been around for more than 30 years and it has been quite a journey. It had its glorious moments on camera and painful moments off camera.
People have been reading photography as a true document, at the same time they are now getting suspicious. I am basically an honest person, so I let the camera capture whatever it captures whether you believe it or not is up to you; it’s not my responsibility, blame my camera, not me.
Death is something to savour, and I hope to savour mine.
After many months of writing, it occured to me that it might be possible to photograph, in the flesh, what I was attempting to capture in words. I bought a Rolleiflex camera and began to take pictures of objects or structures that were used and abused by human hands
A part of my appreciation for the good which moments bring has come from awareness and recognition. But it has also come from a correspnding sadness which arises from their passing. When something that can never quite be reenacted comes to an end (and all moments are that way), I feel a pensiveness within. This pensiveness gives my life a quality that might be best described as bittersweet. And those moments take on double meaning and richness - because they are here now - and because they will not always be.
Life is like a camera. Focus on what's important. Capture the good times. And if things don't work out, just take another shot.
Podcasting is a personal medium, and I savour those moments where details of the podcasters' lives glint through.
I don't capture moments, I capture ideas.
The Internet, the camera cellphone and the like have not only sped up the world's information uptake, but they have cheapened that which they capture.
Just having the camera, being able to pull back from situations and be an observer, it saved my life... I realised I could find these intimate moments and that people trusted me. That, basically, my camera was magic.
I could take a cow and implant a camera in it and let it amble around the city or in its own domain (I say a cow because a human being I would not trust). If the camera was programmed to go off at an indeterminate series of moments, the samplings would be fantastic.
The camera, you know, will never capture you. Photography, in my experience, has the miraculous power of transferring wine into water.
When i get home, I sit on the front step and take deep breaths of the cool spring air for a few minutes. My mother was the one who taught me to steal moments like those, moments of freedom, though she didn't now it. I watched her... But I learned something else from watching her too, which is that the free moments always have to end.
If I'm traveling, I'll take a film camera and a digital camera because sometimes there are moments where, if you've lost it, or if coming back and it accidentally goes through the X-ray machine and it gets overexposed, you might have had a really important moment to you and you would be really upset that you didn't have a back-up.
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