A Quote by Ankit Tiwari

I am not against remakes. They help in selling a film or creating a buzz around it. But it's my personal choice to stick to original music. — © Ankit Tiwari
I am not against remakes. They help in selling a film or creating a buzz around it. But it's my personal choice to stick to original music.
You have to be original. The people creating a buzz on YouTube are taking risks, and they're doing something different. I like it when 15 year-olds come on and tell me what to do rather than the other way around.
I've composed music for many remakes and they've all come out much better than the original.
The point to remember about selling things is that, as well as creating atmosphere and excitement around your products, you've got to know what you're selling.
The landscape of cinema is not original. Not to say there aren't great movies being made, but it's much easier for studios to make movies that have built-in audiences. So it's all remakes, adaptations, a lot of remakes of adaptations.
When I write a film, the film gets handed off to a producer and a director and I go my merry way. With television, I am expected and contracted to stick around and actually produce what I've written.
Being a recording artist, selling music, selling concerts out, having a reality show, starting film; it's great, it's beautiful.
I am not against remakes. What I feel is that they may not excite me much.
I am first a creator, but my ongoing objective is to leverage my personal success to help mentor new and existing talent and further help them achieve their goals. Endemol Beyond shares this vision, and together, we will drive the future of original content for generations to come.
I've done a few remakes now, as you know. And my philosophy is, you see the original film once, and that's it. You have to do whatever you can to shut it out, because you don't want your performance to be tainted. You don't want to fall into the trap of comparisons, basically.
All the buzz can be very much here today and gone tomorrow, but my focus is creating music that will last forever.
I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film
I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film.
I've actually done more [music for] films than television. I love the process of writing for a film. I love that you are creating this suite of music for a film, that's all tied together sonically and thematically and hopefully people associate with the film. They all are meaningful to me in different ways.
When I'm writing film music, I feel like I'm more a filmmaker than a composer. It's more about what the film needs. I'm basically part of the team that's creating a film, and the music is a very important part, but it's just one part of many.
I cannot sit back and think that I am the best. I have to prove again and again that I am the most original music director around, even if I'm everyone's favorite whipping boy.
The whole thrust in my life right now is spinning my assignments around and making them work in a more personal way (...) I wanted to go back and do the original thing: one camera, one lens, one film. You really have to put yourself in a position of danger to be creative.
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