A Quote by Ankit Tiwari
There is no dearth of talented lyricists and I know many of them don't get an opportunity. After I received success, many of them approached me via e-mail or phone calls to tell me about their work. If I feel that a song written by a lyricist is fit for a film on which I am working as a composer, I give them the break.
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I never let anyone lose their self-respect and make them wait in my office, or hurt them with my words, thoughts or actions. I give my e-mail address to anyone who seeks me out. I ask them to send me their work, and if I like it, I give them an opportunity.
I want to warn potential victims. Many of them are women, and many of them are battered women. It's a cause for me. When I look back, though, so many of the books I've written are about wives who just couldn't get away.
It is always a most delightful moment for me when people contact me via mail or approach me at game fairs and thank me for the many enjoyable hours I have brought them with my games.
I keep saying we've got 92 million Americans on the beach. They're not working, and they're all eating, and they're all making phone calls, and they're all watching television. But they're not working. You mean to tell me if you tell them that to keep all that they're going to have to get a job, that that is a detriment to your campaign?
I cannot tell you how many times guides have said to me, "Please tell them to stop praying to me. I can't make things happen. I can't protect them from going through challenging experiences. These are experiences their soul has chosen to go through. I'm here to keep them on their path, but I don't want them to give me all this attention or power or focus." Realistically, the guides I work with are really encouraging people to find their inner voice.
When I get a job, I make phone calls to every single person I know and tell them not to bloody call me.
Successful people just don't let failure define them or keep them from doing what they want to do. For example, I'd have people come up to me after my shows, and they'd say they want to do stand-up but are scared they're going to fail. I'd tell them, "You are going to fail, and anyone who is success has powered through many, many failures."
Fine, you do that, and you tell them that at the very first opportunity, I'm coming down there and killing all of them. Mass murder. And after they're all dead, I'm going to kick the bodies around, dance on top of them, and sing a happy song. No jury will convict me.
I don't work for the commercial success of the film. I work to satisfy my producers who give me the money. I work to satisfy the director who has written a script for me. Of course, I have to satisfy the actor in me, but I want to satisfy them first.
Many people came out and said, 'Boy I'd love to make a film that way.' Well, borrow some money, get some people together - you can get people to work for nothing, just treat them right, treat them as human beings, not stars, give them all an equal share, make them feel a part of what they're doing. There's no big secret to it.
As a consumer, if I heard someone who said, "I've written this song," and then I found out it wasn't by them, it's a bit disappointing. A lot of the guys that do that are really talented and they've made some incredible music, but they get addicted to having success and feel too much pressure, so they get other people to make sure that their next song makes money.
There are many people who get beat up, who suffer, who are victimized, and then they sit down to write and they write crap. How many of these graphic novels over the years are from really talented people? Most of them actually, if you look at them, are self-pitying confessionals about "poor me".
How can I expect readers to know who I am if I do not tell them about my family, my friends, the relationships in my life? Who am I if not where I fit in the world, where I fit in the lives of the people dear to me?
In the past, I never gave money to my children when they were young in return for nothing. When one of them approached me to give them cash, I asked them to do some work in exchange for it.
For most actors, it's such a struggle to get work. Once they have it, they feel that there's an enormous amount of pressure on them to make it work, and have everyone love them. In my case, it was never like that. It was just about working with the people that I want to work with, and telling the stories that I want to tell, you know?
When I realized I could write lyrics and let someone that I knew listen to them, but not know that the song was about them - say it was a girl. I could write this song about how I feel about this girl, I could play it to them. I just loved it, because all of the words would speak to them. I could see them slowly falling in love with me.
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