A Quote by Ankita Lokhande

I am okay being friends with an ex. You don't become enemies. Everybody has their own journey and they leave when the time is over. Maybe, they are only meant to be with you for that particular time.
No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept. For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.
I think it [Trouble In Mind] was the only time Divine didn't appear in drag, or certainly one of the few times, anyway. Alan created a time and place that was no time and no place, so it was not identifiable with any particular period or any particular city or any particular country, for that matter. I mean, everybody spoke English, but that was about it. So you couldn't pigeonhole that film.
To live with our enemies as if they may some time become our friends, and to live with our friends as if they may some time become our enemies, is not a moral but a political maxim
Yeah, I like being on my own. I do. I tend to be a loner, so I'm okay. I'm not okay when I have to be around everyone all the time.
Other actors are not my concern, and that's their life and that's their journey. Everybody has to get to a point in their own time and their own way.
I believe that, your art is like a time capsule for where you were at, where your mentality was at, at that specific or that particular space in time. A lot of times people want the same thing over and over again; I'm not going to give you that, I'm just not. So, I want my fans to continue to grow with me and let's take this journey, because it ain't gon' never stop.
Never, never is it possible to reach someone if you become angry or bitter only love and gentleness can do it. Maybe not this time but maybe the next or the hundredth time.
Do you want to improve the world? I don't think it can be done. The world is sacred. It can't be improved. If you tamper with it, you'll ruin it. If you treat it like an object, you'll lose it. There is a time for being ahead, a time for being behind; a time for being in motion, a time for being at rest; a time for being vigorous, a time for being exhausted; a time for being safe, a time for being in danger. The Master sees things as they are, without trying to control them. She lets them go their own way, and resides at the center of the circle.
It might be useful to distinguish between pleasure and joy. But maybe everybody does this very easily, all the time, and only I am confused.
We ought so to behave to one another as to avoid making enemies of our friends, and at the same time to make friends of our enemies.
You're young. Maybe there'll be time for a do-over if you don't get it right the first time. But there are no guarantees. There will come a time as it has for me when there's no time for a do-over.
I might not be over-enthusiastic about socialising and making friends, but I am not a loner. I love hanging out with my friends, and I do it often when I am not working. Maybe, since I am not often invited to the 'happening' parties of our industry, where the media is around, I have earned the reputation of being a loner.
You know, my friends, there comes a time when people get tired of being trampled over by the iron feet of oppression. There comes a time, my friends, when people get tired of being plunged across the abyss of humiliation, where they experience the bleakness of nagging despair. There comes a time when people get tired of being pushed out of the glittering sunlight of life’s July and left standing amid the piercing chill of an alpine November.
Maybe it meant something. Maybe not, in the long run, but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant.
When you start working, everybody is in your studio- the past, your friends, enemies, the art world, and above all, your own ideas- all are there. But as you continue painting, they start leaving, one by one, and you are left completely alone. Then, if you are lucky, even you leave.
The experience of being in between-between the time we leave home and arrive? at our destination; between the time we leave adolescence and arrive at adulthood; between the time we leave doubt and arrive at faith. It is like the time when a trapeze artist lets go the bars and hangs in midair, ready to catch another support: it is a time of danger, of expectation, of uncertainty, of excitement, or extraordinary aliveness.
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