A Quote by Ann Aguirre

People are capable of incredible gallantry and terrible cruelty in situations of extreme duress. I tried to showcase that range in 'Enclave.' — © Ann Aguirre
People are capable of incredible gallantry and terrible cruelty in situations of extreme duress. I tried to showcase that range in 'Enclave.'
You know what Michael did? He got me the most fabulous place to live. If you read the tabloids, it's the enclave of the enclave, Beverly Hills, which I have no idea what an enclave is. If it's chic-chic, it's cool.
The truth of the matter is the real story are the people who rise above all of this incredible cruelty. Otherwise that cruelty wins.
Certain souls seem hard because they are capable of strong feelings, and they sometimes go to rather extreme lengths; their apparent unconcern and cruelty are but ways, known only to themselves, of feeling more strongly than others.
One thing that annoys me is when you see women in these terrible and incredible situations with perfectly glossed lips. You're not going to look good in the apocalypse.
One of the glaring failures of capitalism is the continuing widespread existence of poverty - often extreme poverty. Even in the advanced economies, many millions of people endure terrible economic and social deprivation, despite the incredible wealth all around them.
MySpace gives our members the ability to reach such an incredible range of people and have direct contact with them. I'm not sure how that devalues friendship so much as it expands the range of potential friends you can have.
Especially when it comes to something like the awards, I find it kind of baffling that 'True Blood' has been snubbed so many times given the incredible range of acting they have on there; I mean, incredible storytelling and the incredible production values.
Evil has always been there; it's always a part of us. Evil is no big surprise. But what about the people who gave freely, who stood up for human dignity? Even in the most extreme and terrible situations, these acts of dignity existed. And for me, that is the banality of good.
How I have tried and tried to be a splendid woman, and how destiny has been against me! ...I do not deserve my lot! ...O, the cruelty of putting me into this ill-conceived world! I was capable of much; but I have been injured and blighted and crushed by things beyond my control! O, how hard it is of Heaven to devise such tortures for me, who have done no harm to heaven at all!
He had never known such gallantry as the gallantry of Scarlett O'Hara going forth to conquer the world in her mother's velvet curtains and the tail feathers of a rooster.
The Theatre of Cruelty has been created in order to restore to the theatre a passionate and convulsive conception of life, and it is in this sense of violent rigour and extreme condensation of scenic elements that the cruelty on which it is based must be understood. This cruelty, which will be bloody when necessary but not systematically so, can thus be identified with a kind of severe moral purity which is not afraid to pay life the price it must be paid.
I like that my dad makes it clear he's there to make you laugh, not to showcase his emotional range.
Gallantry to women - the sure road to their favor - is nothing but the appearance of extreme devotion to all their wants and wishes, a delight in their satisfaction, and a confidence in yourself as being able to contribute toward it
I tried to avoid anything that caused me frustration or grief or duress. I played FarmVille and procrastinated like all teenagers.
I have found through trial and error that I work best under duress. In fact I work only under duress.
That's the whole point of writing to me - I put my characters under incredible duress, and from that comes their truth. In a way, I'm using them to try to find my own answers in life.
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