A Quote by Ann Aguirre

There were different kinds of strength. I knew that now. It didn't always come from a knife or a willingness to fight. Sometimes it came from endurance, where the well ran deep and quiet. Sometimes it came from compassion and forgiveness.
My experience is at The Groundlings Theater, where we created different characters and did sketch comedy. And sometimes the characters were outrageous, but they always came from a real place. So even working there, we had to create characters from the people that we knew.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
The WWE also embraced more of a reality-based approach to wrestling a year or two after I established it. I knew, deep down inside, were it came from. The WWE did it better than I did, and they're still here, and I'm not, but nonetheless - I knew where it came from.
The Samaritan woman grasped what He said with fervor that came from an awareness of her real need. The transaction was fascinating. She has come with a buket. He sent her back with a spring of living water. She had come as a reject. He sent her back being accepted by God Himself. She came wounded. He sent her back whole. She came laden with questions. He sent her back as a source for answers. She came living a life of quiet desperation. She ran back overflowing with hope. The disciples missed it all. It was lunchtime for them.
I came from a real tough neighborhood. Once a guy pulled a knife on me. I knew he wasn't a professional, the knife had butter on it.
Precise, graceful, and generous, the poems in SuperLoop, seem to be born out of a deep, careful attention and a profound compassion. Sometimes the quiet observer, sometimes the kid in the center of the messed-up carnival, these poems are the fireflies you’ve missed all winter, the longed-for return of the bees. Unaffected and inherently hopeful, Callihan’s work is as merciful as it is moving.
I'm not sure when exactly I knew I was funny, but I always knew I was different. I never had an 'edit' button and would say whatever came into my head. Most of the time, what came out of my mouth was the very thing everyone else was thinking - but too polite or afraid to verbalize.
My strength never came from political echelons, it came from the family. And from the fields and the lands and the flowers and everything I see there. My strength came from there.
"Resident Evil" was different. I like to challenge myself and do different things sometimes. So when it came to me, I was, like, "Come on with it, I'll do it."
Sometimes they were together so often that it felt as though they really were a couple; sometimes weeks and months would go by before they saw each other. But even as alcoholics are drawn to the state liquor store after a stint on the wagon, they always came back to each other.
Reviews are all bullshit, because they always change. When House of 1000 Corpses came out, all the reviews were awful. It was impossible to find a review better than "The worst movie ever made." And now I'll see more-modern magazines, and sometimes they'll re-review things, and I'll read this great review for it. It's the same thing with White Zombie! People talk about "Oh, White Zombie, these classic records. Why don't you do them now?" Everyone hated those records when they came out! The reviews were terrible.
In real life I'm shy sometimes, sometimes I'm romantic, sometimes I can be funny, so it's great to be doing different kinds of parts that expose your personality.
Ideas for stories come in really different terms and really different ways for me. Sometimes they're from books, sometimes they're just kind of out of the air, from nowhere, sometimes they're biographical, or sometimes they're other things [everyday life].
To say what or where we came from has nothing to do with what or where we came from. We do not come from there any more, but only from each word that proceeds out of the mouth of the unnamed. And yet sometimes it is our only way of pointing to who we are.
Sometimes it bursts from your imagination fully formed, sometimes you absorb from nonfiction, sometimes you're able to imprint your own autobiographical experiences on a world you never yourself were a part of. A decent number of the one-liners in the title story originally came up in conversations with my girlfriend or my neighbor.
Every fight is like a different landscape of what you go through. But sometimes it's small injuries. Sometimes it's lessons you walk away with. Every fight is different but they all hurt, for sure.
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