A Quote by Ann B. Davis

I did a couple of pilots that didn't sell, a few movies, and one year of nightclub work, which I hated. Then I did the pilot of 'The Brady Bunch' and never had to do another nightclub.
I did some commercials and a couple of B movies, then a few pilots that didn't go anywhere. Eventually I did the pilot for Beverly Hills, 90210. The rest is history.
I grew up and I kind of took the road of becoming a pilot, which was another dream I had of flying, and once I did attend the air force academy, that dream of flying became more like a project, and I wanted to be a fighter pilot, which I did. I became a fighter pilot.
My first two albums, 'Silverbird and 'Just a Boy,' which had the single 'Long Tall Glasses' on it, were very well received. Then I did another one, 'Another Year,' which did miserably.
Before I was cast on The Surreal Life my knowledge of Christopher Knight was pretty much he was on The Brady Bunch and I hated The Brady Bunch.
I get inspired when I look at Tom Lennon, who did 'Reno 911!' for six seasons while writing huge movies and directing and also doing other pilots; he did that FX pilot, the 'Star Trek' thing.
I get inspired when I look at Tom Lennon, who did Reno 911! for six seasons while writing huge movies and directing, and also doing other pilots; he did that FX pilot, the Star Trek thing.
I'd never properly done pilot season in America. I did it for just a couple of weeks, a couple of years ago. Usually, you get pilot scripts and the initial script quality isn't there.
I advise treating the studio audience like a nightclub audience because that's the reason you're doing television - to get them to come see you in a nightclub.
I toured as a nightclub comedian and did some television in New York.
What is 'cool,' anyway? Maybe it's Warne Marsh, almost totally obscure and penniless, coming in late to a fourth-rate Hollywood nightclub, playing like an angel with a couple of sidemen, but never speaking to or even acknowledging another human being.
I had been asked to open a nightclub in Atlantic City. They offered me a ridiculous amount of money. They literally overpaid me. So I did one show a night. Then they asked me back by popular demand. So I went back. Then I said, "To hell with this." I was only doing it for the money, and I was doing easy routines. It's just too much work to get up every day and practice.
Remember 'The Brady Bunch' TV show? That 1970s family had a full-time live-in housekeeper called Alice. Mrs. Brady worked at the PTA and did community work. She didn't clean her own house. That was middle class. Now you have to be very rich to employ a housekeeper. Everything it meant to be middle class has changed dramatically.
Nightclub City tells the behind-the-scenes story of Manhattan's glamorous nightlife at its peak. Packed with colorful characters, terrific original research, and an unusually accessible writing style, Nightclub City is a gritty social history of America's most glitzy fantasies.
I did the pilot, and when they came through and said they were going to put it on the air, I had already some dates in the book with my band and so on. So Barry did the first one, he may have done a few more than the first one in the series, and I took it up from then.
I did a little theatre work after that and the following year I got another part in a television series. Then it was almost to the end of the year before I got more work. That was coming to terms with the reality of the vocation I had chosen.
I did a couple of films, I was very lucky at the beginning of my career... and then, I never had another job here for ten years probably and I moved to Europe.
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