A Quote by Ann Beattie

I am not alone in bearing grudges against reviewers who have doomed a book's chances because they've missed the point, the tone, everything. — © Ann Beattie
I am not alone in bearing grudges against reviewers who have doomed a book's chances because they've missed the point, the tone, everything.
I'm the world's worst bearer of grudges. I'm sure I'll be bearing grudges and paying off old scores on my death-bed.
I am alone, I am all alone, I am completely alone. Grasping this reality, I let go of my bag, drop to my knees and press my forehead against the floor. There, I offer up to the universe a fervent prayer of thanks. First in English. Then in Italian. And then - just to get the point across - in Sanskrit.
The personal desolation Christ is experiencing on the cross is what you and I should be experiencing--but instead, Jesus is bearing it, and bearing it all alone. Why alone? He's alone so that we might never be alone.
Great lecturers seldom hesitate to use dramatic tricks to enshrine their precepts in the minds of their audiences, and at Yale perhaps Chauncey B. Tinker was the most noted. To read one of his lectures was like reading a monologue of the great actress Ruth Draper--you missed the main point. You missed the drop in his voice as he approached the death in Rome of the tubercular Keats; you missed the shaking tone in which he described the poet's agony for the absent Fanny with him his love had never been consummated; you missed the grim silence of the end.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
The book [Night manager] is amazing. It is amazing to act in any book adaptation, because a book gives you so many secrets and details that don't necessarily get shot in an adaptation. They give you a cushion underneath everything. The detail in the character, the detail in the tone.
Grudges seldom hurt anyone except the one bearing them.
Your own space, man, it's so important. That's why we were doomed because we didn't have any. It is like monkeys in a zoo. They die. You know, everything needs to be left alone.
Music is everything to me. It's the heart and soul of a movie or TV show to me because it can be such an injection of tone, and I think tone is everything to a story.
I am free because I know that I alone am morally responsible for everything I do. I am free, no matter what rules surround me. If I find them tolerable, I tolerate them; if I find them too obnoxious, I break them. I am free because I know that I alone am morally responsible for everything I do.
May we never risk the life of our souls by being resentful or by bearing grudges.
I believe that life is short, and there is too much time wasted bearing grudges, and I like to move on.
That was the one thing she knew now. Some chances came and went, and if you missed them, you could spend the rest of your life standing alone, waiting for an opportunity that had already passed you by.
At some point you have to forget about grudges because they only hurt.
I missed the sound of her shuffling her homework while I listened to music on her bed. I missed the cold of her feet against my legs when she climbed into bed. I missed the shape of her shadow where it fell across the page of my book. I missed the smell of her hair and the sound of her breath and my Rilke on her nightstand and her wet towel thrown over the back of her desk chair. It felt like I should be sated after having a whole day with her, but it just made me miss her more.
In wider spaces, people bearing historical grudges with each other were separated by the muting qualities of distance.
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