A Quote by Ann Beattie

You put a character out there and you're in their power. You're in trouble if they're in yours. — © Ann Beattie
You put a character out there and you're in their power. You're in trouble if they're in yours.
Whatever happens on the golf course is OK, because if I put the ball in trouble I know that I have the skills to get it out of trouble and back into play.
I think you write only out of a great trouble. A trouble of excitement, a trouble of enlargement, a trouble of displacement in yourself.
Christ has no body now on earth but yours, no hands, no feet but yours. Yours are the eyes with which Christ looks out his compassion to the world. Yours are the feet with which he is to go about doing good. Yours are the hands with which he is to bless us now.
Put it out of the power of truth to give you an ill character. If anybody reports you not to be an honest man let your practice give him the lie.
Thanks to 'I'm Yours,' I'm probably set for a really long time. The pressure I put on myself, or what I hope my 'I Won't Give Up' does, is to make a difference in people's lives... With 'I'm Yours,' I got to go out and set my feet on different continents, and expose myself to different cultures and causes.
I love shooting, when the character is interesting and the script is interesting, but the research beforehand is really fun. The whole process makes me anxious and restless, and I have trouble sleeping, just trying to figure out the character.
Obviously, with a CGI character, you're building a character in much the same way as a real creature is built. You build the bones, the skeletons, the muscles. You put layers of fat on. You put a layer of skin on which has to have a translucency, depending on what the character is.
Once you put songs out, they're not yours anymore. They're everyone else's.
I kind of put myself out there a lot just because I trust the people I'm working with. You have to see what works and what doesn't. Sometimes it's not my job to find that out, it's just my job to do what the character calls for. And if you change the character I'll do that too.
I don't think that three minutes of music on a commercial record is going to bring paradise, but I feel like there is power in music and power in our words and power in what we put out into the world.
I want her to be powerful on these covers, and sometimes that's a quiet power and other times it's a more bombastic power. But when you're going to have a book out there that's called Wonder Woman and she's on it, you have a responsibility to put out a certain kind of image.
Obtain power, then, by all means; power is the law of man; make it yours.
Better never trouble trouble until trouble troubles you; for you only make your trouble double trouble when you do.
I am going to say something that will knock your lights off. God has the power to take life but he can't. He's got the power to do it but he won't. He's bound, he can't. He says, "Death and life are in the power" of whose tongue? Yours.
Consider children as a beat. Clearly not an institution of power, children don't vote and they don't pass taxes. They have no money, and they don't buy newspapers or watch the news on television. Consequently, children are one of the most neglected segments of society in the news, except as a subtopic of other power beats such as education, family, and crime. Children are in serious trouble in this society, which means the foundation of our society is in trouble, which means the future is in trouble, and that is news.
There is power in seeing a face that looks like yours do something, be someone. There is power in moving from the sidelines to the center.
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