A Quote by Ann Brashares

I love the idea of fictional worlds kind of all cohering in some way. — © Ann Brashares
I love the idea of fictional worlds kind of all cohering in some way.
I love it when real science finds a home in a fictional setting, where you take some real core idea of science and weave it through a fictional narrative in order to bring it to life, the way stories can. That's my favorite thing.
Science fiction in particular is often assumed to be about the future, or about some abstract technological or philosophical idea, or just about 'adventure,' but writers can't build worlds out of nothing. We use bits and pieces of the real world to assemble our fictional ones.
I love building out the worlds of my fiction with fictional books.
What writers of fantasy, science fiction, and much historical fiction do for a living is different from what writers of so-called literary or other kinds of fiction do. The name of the game in F/SF/HF is creating fictional worlds and then telling particular stories set in those worlds. If you're doing it right, then the reader, coming to the end of the story, will say, "Hey, wait a minute, there are so many other stories that could be told in this universe!" And that's how we get the sprawling, coherent fictional universes that fandom is all about.
I loved the idea of a book of fairytales meant especially for peculiar children, and I love even more the idea of making that fictional book real.
I have found, and most artists are probably this way, that [when] you're working on some kind of idea, the idea makes demands.
I love the idea of carrying on some kind of tradition using some of the artifacts from people that touched my life. They're a continuum, too. I still use my father's tools and some of my grandfather's tools. There's a very romantic streak in me. I confess, I'm a romantic, but I like the idea.
It can stand in the way of narration in cases where we want the protagonist to actually go through some kind of catharsis while our own (non-fictional) experiences and stories lead to something banal or completely uninteresting.
I feel as if dystopian and utopian representations are historically the most effective way of criticizing modern society. You know, because you don't have to be factually accurate. You can kind of construct some awesome strawman arguments in your fictional world.
Food is an excellent way to do very elegant worldbuilding - the kind that can make a fictional world seem real, like it extends way past the edges of the frame.
To really be a nerd, she'd decided, you had to prefer fictional worlds to the real one.
I love the idea of expanding the universe of games to some extent. At one point, they were kind of limited to boys, fanboys and whatever. I like the idea of liberation for games.
We willingly enter fictional worlds where we cheer our heroes and cry for friends we never had.
It's not that kind of love. It's the real kind. The unconditional kind. The nonjudgemental kind. Not the physical kind. I love you as a fellow soul who inhabits this earth. I love you as a fellow immortal. I love you because I finally understand what made you the way you are. And if I could change it, I would. But I can't—so I choose to love you instead. And my hope is that my acceptance of you will spur you to do something good too, but if not—" I shrug. "At least I can say I tried.
There are innumerable worlds of different sizes. In some there is neither sun not moon, in others they are larger than in ours and others have more than one. These worlds are at irregular distances, more in one direction and less in another, and some are flourishing, others declining. Here they come into being, there they die, and they are distroyed by collision with one another. Some of the worlds have no animal or vegetable life nor any water.
I love when you get the feeling of some social reality with a fictional film.
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