A Quote by Ann Coulter

The most irritating movie character for me was that cradle-to-grave commie, Mary Poppins. — © Ann Coulter
The most irritating movie character for me was that cradle-to-grave commie, Mary Poppins.
I was 3 years old and Mary Poppins [1964] made an impression on me that was seismic, apparently. I fell into some kind of total creative, imaginative rapture over that movie that propelled this industry of Mary Poppins drawings, plays, performances - just an obsessive, creative reaction to it.
You're worried about the quality of John Legend and Chrissy Teigen's child care? It's not like they're getting their nanny off Craigslist. They're rich celebrities. They could get Mary Poppins to watch their baby, as in literally call Julie Andrews, get her to come out of retirement to babysit in character as Mary Poppins.
When I was three years old, a nanny took me shopping and I saw large cut-outs of Mary Poppins in the store and yelled, 'That's mummy!' These women walked by and said, 'Oh how cute. That little girl thinks that Mary Poppins is her mum.'
'Chitty Chitty Bang Bang' was a movie that I repeatedly turned down. The movie's producer, Albert 'Cubby' Broccoli, known for his tight-fisted control of the James Bond movie franchise, desperately wanted to re-team Julie Andrews and me after the success we'd enjoyed with 'Mary Poppins.'
'Mary Poppins,' the movie, was an object of mockery if you were a student in the '60s, something to be laughed at.
Every generation comes upon the movie again, and then, invariably, the books have a spike in sales because people want to read more about Mary Poppins.
Waste equals food, whether it's food for the earth, or for a closed industrial cycle. We manufacture products that go from cradle to grave. We want to manufacture them from cradle to cradle.
The left promises abortion rights and cradle to the grave protection, so the trick is to make it to the cradle.
When I did 'The Passion,' nobody believed in the movie. Everybody was telling me, 'You shouldn't do this movie... But I wanted to play Mary Magdalene. I thought that I could do something strong and deep with this character.
I get little kids who recognize me from 'Mary Poppins,' and it just delights me because it's our third generation.
I think I'm just proudest to be the lady who was asked to play Mary Poppins. She's such a wonderful character, and there's so much tremendous talent out there. So I feel very lucky to be the one who got to play her.
My very first movie, 'Mary Poppins,' which I talk about, it just turned me into an obsessive, creative creature who had to sort of reply to the experience by drawing things, making things. It was like it forced - it made me into this obsessive, creative creature... I don't know any other way of putting it.
I think the idea of 'Mary Poppins' has been blowing in and out of me, like a curtain at a window, all my life.
There are elements of me in the roles I've played in the past. But people forget that Mary Poppins was just a role, too.
I think the idea of Mary Poppins has been blowing in and out of me, like a curtain at a window, all my life.
To me I grew up watching 'All That Jazz' and 'Cabaret,' and when I was younger 'Mary Poppins',' The Sound Of Music,' and 'Singin' In The Rain.'
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