A Quote by Ann Coulter

If you can somehow force a liberal into a point-counterpoint argument, his retorts will bear no relation to what you’ve said - unless you were in fact talking about your looks, your age, your weight, your personal obsessions, or whether you are a fascist. In the famous liberal two-step, they leap from one idiotic point to the next, so you can never nail them. It’s like arguing with someone with Attention Deficit Disorder.
I have found a certain type calls himself a Liberal...Now I always thought I was a Liberal. I came up terribly surprised one time when I found out that I was a Right-Wing Conservative Extremist, when I listened to everybody's point of view that I ever met, and then decided how I should feel. But this so-called new Liberal group, Jesus, they never listen to your point of view.
In the entire history of the universe, let alone in your own history, there has never been another day just like today, and there will never be another just like it again. Today is the point to which all your yesterdays have been leading since the hour of your birth. It is the point from which all your tomorrows will proceed until the hour of your death. If you were aware of how precious today is, you could hardly live through it. Unless you are aware of how precious it is, you can hardly be said to be living at all.
Like your weight set-point, which keeps the scale hovering around the same number, your happiness set-point will remain the same unless you make a concerted effort to change it.
"This is me, remember!" retorts Suze. "I know what you're like! You used to throw all your bank statements into the trash and hope a complete stranger would pay off your bills!" This is what happens. You tell your friends your most personal secrets, and they use them against you.
There is no such thing as a liberal...There hasn't been for a long, long time. I never use the word and you shouldn't either - nobody should. 'Liberal' is what socialists call themselves when they don't want you to understand that they plan to take away your rights, your property, and eventually your life.
My point is is that if you are ever comfortable you're not growing and if, unless you are completely out of your depth, your creativity of whatever you are producing, you will never know how strong your stroke it.
Your success is in your point of view. It's your life that you're talking about; it's your observations. That's the best lesson that I ever had.
I think that all stories - if you make movies about zombies and aliens - it has always to do with your personal story. If not directly, it is about your fears, your obsessions, things like that.
Whether it is your work, your love, or your life - unless you throw your entire self into it, you will never know what it is.
As one of my creative writing professors once said, there are only seven plots. What makes those plots different is how you handle them, your voice, your style, and your way of thinking. That’s all. People can mimic your style, but they can never achieve your unique point of view.
I think at any point in your career as a creative, whether you're an actor, writer whatever it's a real turning point when someone who's not you turns around and validates your work it gives you a lot of confidence.
I once said to someone when I was playing Lady Macbeth and they said: "That's tricky, emotionally, what do you do about murdering your husband's cousin?" And there are, of course, things that aren't in your personal repertoire that you have to somehow understand by reading or watching other things and listening to other people talk about them.
Your weaknesses are the key to the unimaginable bigger future that God has envisioned for you. Your strengths are probably already bearing all the fruit they can. They will continue to bear those good fruits in your life, but at some point they will begin to plateau. Your richer, more abundant future is intimately linked to your weaknesses.
Whether it is your height, your weight or your skin, someone is going to pick on something and make fun of it. My legs were just a more obvious target.
Concentrate your narrative energy on the point of change. This is especially important for historical fiction. When your character is new to a place, or things alter around them, that's the point to step back and fill in the details of their world.
There's a point, around the age of twenty, when you have to choose whether to be like everybody else the rest of your life, or to make a virtue of your peculiarities.
This site uses cookies to ensure you get the best experience. More info...
Got it!