A Quote by Ann Coulter
Liberals pretend to believe that when two random hoodlums kill a gay man in Oklahoma, it's evidence of a national trend, but when a million people buy a book, it proves absolutely nothing about the book-buying public.
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I expected a lot of flak over my new book, '50 Things Liberals Love to Hate' from, well, liberals. It's not a big shock that the kind of liberals I skewer in the book - the radical, Che Guevara-loving type - have posted scathing reviews at Amazon and written nasty e-mails and voiced opposition to a book they haven't actually read.
I'm not allowed to buy advertising for my book '50 Things Liberals Love to Hate' on Facebook because, according to their representative, they have received complaints about the word 'hate' in my book title.
In America, and no doubt elsewhere, we have such a tendency toward the segregation of cultural products. This is a black book, this is a gay book, this is an Asian book. It can be counterproductive both to the literary enterprise and to people's reading, because it can set up barriers. Readers may think, "Oh, I'm a straight man from Atlanta and I'm white, so I won't enjoy that book because it's by a gay black woman in Brooklyn." They're encouraged to think that, in a way, because of the categorization in the media.
If you buy a book on golf instruction buy the thinnest book you can find. The thinner the book, chances are the easier and more elementary the instruction. It can do one of two things: help you more or hurt you less. Both are good compared to the alternative.
I first heard the term "meta-novel" at a writer's conference in Tulsa, Oklahoma. The idea is that even though each book in a series stands alone, when read collectively they form one big ongoing novel about the main character. Each book represents its own arc: in book one of the series we meet the character and establish a meta-goal that will carry him through further books, in book two that meta-goal is tested, in book three - you get the picture.
I began writing books after speaking for several years and I realize that when you have a written book people think that you're smarter than you really are if I can joke. But it's interesting. People will buy your book and hire you without reading the book just because you have a book and you have a book on a subject that they think is of interest to themselves or e to their company.
I can't go into Oklahoma without thinking about Larry Clark's photography book 'Tulsa.' It's a great book about how life works.
If I'm on the road for Random House, I'm presenting a book with the hope people will buy it.
People can take your name and write a book about you and they make money off of it. How is the public supposed to know you're not authorizing that book? As soon as you make a big stink about it it only makes the book sell more.
The Fourteenth Book is entitled, "What can a Thoughtful Man Hope for Mankind on Earth, Given the Experience of the Past Million Years?" It doesn't take long to read The Fourteenth Book. It consists of one word and a period. This is it: "Nothing.
If you can start and finish a book, then you're already a million miles ahead of all those people who talk about wanting to write a book.
The biogeographic evidence for evolution is now so powerful that I have never seen a creationist book, article, or lecture that has tried to refute it. Creationists simply pretend that the evidence doesn't exist.
I believe if you've written a book, you have to stand up and say, 'Guys, buy the book.'
When you pick up a book, everyone knows it's imaginary. You don't have to pretend it's not a book. We don't have to pretend that people don't write books. That omniscient third-person narration isn't the only way to do it. Once you're writing in the first person, then the narrator is a writer.
When a translator translates my book, it is no longer just my book. It is the translator's book, too. So the book in another language is almost the work of two people. And that is quite interesting to me.
I think people need to remember that a book isn't done after a few rewrites and a publisher isn't going to buy an 'undone' book so the hard part is making it a book that at least ten other people want to pay for to read.
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