A Quote by Ann Coulter
That is Obama's signature move: Invent people who are saying ridiculous things and then encourage the audience to laugh at these made-up buffoons.
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I believe in things that move people, if the audience isn't deeply caught up and moved to either laughter or tears then I don't think it is theater.
Mitt Romney saying that Barack Obama gets an F is one of the most ridiculous things that he has said in this race.
A lot of people are very interested that a Korean director has made a western. But when I look at the reactions of the audience, I realise the points at which people laugh are the same for a Korean audience and an international audience.
People are always coming up to me and saying, 'I love you, love your work.' And then the next sentence is, 'I loved your brother.' John made people laugh, and laughter is a powerful thing.
This is the mythosphere. It's made up of all the stories, theories and beliefs, legends, myths and hopes, that are generated here on Earth. As you can see, it's constantly growing and moving as people invent new tales to tell or find new things to believe. The older strands move out to become these spirals, where things tend to become quite crude and dangerous. They've hardened off, you see.
I like to service the full audience of America, so I try to do things that are just real artistic, like when they don't have the most money, but it's a great piece of work. Then, there are big, fun comedies and big animated movies for kids. I want to do things for my nieces and nephews. Ultimately, we're trying to deliver something entertaining to an audience. As long as it can entertain the audience, and it makes me or my niece and nephew laugh or cry, then I think it's good.
On stage, it is a tremendous thing to be able to make people laugh. But one of the things that I have always loved is when I am in shows where you can turn the audience upside down and make them cry or move them. That is when things are the most rewarding.
I've been in situations where, in the midst of really hardcore events in my life, I made some ridiculous off-color joke that was in horrible taste, but made people laugh.
I have made you - along with Fox News has made you - think Obama is something that he isn't. And it's such a shame. I have so distorted who the real Obama is in your mind, that it is paralyzing our government. It is paralyzing the Speaker of the House, who really, really, really, really wants to go in there and really, really work with Obama, but he just can't. It's hard for people like Boehner to move too far in my direction because of the misperception of me, Obama says, created by Fox News and Rush Limbaugh.
I've seen racism in my audiences. For example, I've seen people laugh at every other group, but then clam up when it comes to their community. You can't laugh at everyone else and then not laugh at yourself. You shouldn't be at my show if you can't laugh at yourself.
Of all ridiculous things the most ridiculous seems to me, to be busy — to be a man who is brisk about his food and his work. Therefore, whenever I see a fly settling, in the decisive moment, on the nose of such a person of affairs; or if he is spattered with mud from a carriage which drives past him in still greater haste; or the drawbridge opens up before him; or a tile falls down and knocks him dead, then I laugh heartily.
I love creating characters that are ridiculous and flawed. To me, the most important thing about comedy is the joy it can bring to the performers and the audience alike. I love making people laugh and not over-thinking things. Some of my favorite moments are when I am doing an improv scene with friends, and I can't stop laughing during it.
In another thirty years people will laugh at anyone who tries to invent a language without closures, just as they'll laugh now at anyone who tries to invent a language without recursion.
The laugh track was invented to cue the audience to the jokes and encourage laughter in response. But it has another effect: if you hear people laughing and you're not, you start to question if maybe there's something wrong with you for not getting it.
Buffoons, buffoons! One can play any tune on them!
We were in front of a live audience and I would be acting with the man who was playing my lover, and we used those words, and the audience would titter and laugh, and make me uncomfortable doing the scenes. ... I wanted to sort of stop and yell at them, "What's so funny? What's the matter with you people? Grow up!" It made me very self-conscious at times.
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