A Quote by Ann Demeulemeester
What I like to wear, I do myself. I don't know how that sounds, but it's the truth. My life is so mixed with my profession that I don't know where I begin or my work ends.
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I write the last line, and then I write the line before that. I find myself writing backwards for a while, until I have a solid sense of how that ending sounds and feels. You have to know what your voice sounds like at the end of the story, because it tells you how to sound when you begin.
My therapist told me I need to learn to love myself. It sounds easy enough, but really, how do you just wake up one day and learn that? It feels like something you should just do involuntarily, like swallowing or blinking, but now I have to work on it. It feels so forced. I mean, I know I went to a good school, and people tell me I'm smart and creative, but I don't KNOW that. I don't know how to make myself feel that.
I worry about making work more important than what I know to be the truth. Throughout all areas of life, we're told how to look, how to act, what to speak, what to wear, what we should have and other people don't have, and we know none of that means anything. Yet these other messages never stop coming.
I train like I'm training for the Olympics or for a Mr. America contest, the way I've always trained my whole life. You see, life is a battlefield. Life is survival of the fittest... How many healthy people do you know? How many happy people do you know? Think about it. People work at dying, they don't work at living. My workout is my obligation to life. It's my tranquilizer. It's part of the way I tell the truth--and telling the truth is what's kept me going all these years.
There's only certain things you can control. I know how hard I work, I know how I take care of myself, and those are the two things I can control. As far as injuries and wear and tear and stuff like that, it's going to happen.
Somebody who knows all about how to make the record, or how to make records, they know how to work the EQ and they know how to work the stuff, but they don't know what I want it to sound like. So it's just easier for me to do it myself.
As every parent knows, children begin life as uninhibited, unabashed explorers of the unknown. From the time we can walk and talk, we want to know what things are and how they work - we begin life as little scientists.
Life is just like a book. Only after you've read it do you know how it ends. It is when we are at the end of life that we know how our life ran. Mine, until now, has been black. As black as my skin. Black as the garbage dump where I live.
For film and theater, you know how the story starts; you know how the story ends. With TV, you don't. It's literally like living real life in character.
This is an important distinction, because most of the modern philosophies that deny that we can know reality, and ultimately truth, make the mistake of constructing epistemological systems to explain how we know reality without first acknowledging the fact that we do know reality. After they begin within the mind and find they can't construct a bridge to reality, they then declare that we can't know reality. It is like drawing a faulty road map before looking at the roads, then declaring that we can't know how to get from Chicago to New York!
Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there. On one level this truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language. I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence. The language of my books has shaped me as a man. There's a moral force in a sentence when it comes out right. It speaks the writer's will to live.
I've seen a lot of political violence in my life. I know what it looks like. I know what it smells like. I know what motivates young men to do it. I've talked to them about it. I know what victims feel like, you know? I know the abominable effect it has on politics. I know how intractable it is.
Probably a good idea, let me know how it ends" "I already know how it ends" "You read the ending first?" "I always read the ending before I commit to the whole book." "If you know how it ends, why read the book?" "I don't read for the ending. I read for the story".
I look white to a lot of people. And I'm not. I'm African-American. I'm mixed. I like to call myself Mulatto because that definition fits. So, you know, I've dealt with the conflict my whole life between how I look and my actual ethnic and racial identity.
I had fears going into television that it might become boring to me, and I always like to be challenged, push myself. You do a film, and you know where you're going; you have this material to stretch and play with as much as possible because you know how it ends.
The truth that people are missing about certain things, you know when they get fearful and they get hateful, and they repress other peoples, is the greatest truth of all, you know, the truth of love and understanding and clarity about all those issues. And it's like, one day, one day, everybody's gonna know, myself included, over certain things. But, so it's like, it's alright, you know, you hate me now, but that's cool, because I see a better day and I know that there's a higher truth, and you're wrong about hating me because I'm gay.
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