A Quote by Ann Demeulemeester

I've always been intrigued by cutout silhouettes. They are so intriguing, so poetic-the shadow of a soul. They tell everything about a character and they are open to be filled with one's own imagination.
He pointed toward the silhouettes on the side of the [bathrooms] instead--black cutout man, black cutout woman. The man had his legs apart, the woman had hers together. Pretty much the story of the human race in sign language.
It’s always more intriguing to imagine what’s happening, as opposed to seeing everything, because then you can use your imagination. I always wanted to be at a distance.
So, are you... intrigued ... by Stanhope?" "Intrigued by him?" "Indeed. Do you find him ..." he paused. "Intriguing?" she teased. He sent her an exasperated look.
I have always been fascinated by paleontology and prehistoric people, and I've always thought that one of the most intriguing moments in human history was the birth of artistic imagination. I always loved those cave paintings.
In order to be as free as I possibly can, in my own imagination, I can't take positions that are closed. Everything I've ever done, in the writing world, has been to expand articulation, rather than to close it, to open doors, sometimes, not even closing the book -- leaving the endings open for reinterpretation, revisitation, a little ambiguity.
There have been a lot of roles and scripts that have come my way but nothing that really inspired me or intrigued me like when "Burlesque" showed up at my door. Just the whole concept of burlesque, I've always been fascinated with it. I've always collected so many books about burlesque. I've been intrigued by the time that it's set in, in the 20's, 30's, 40's and so I knew it was a no brainer for me to be a part of once I met with the team.
Me and my shadow Strolling down the avenue Oh, me and my shadow Not a soul to tell our troubles to And when it's twelve o'clock we climb the stairs We never knock 'cause nobody's there Just me and my shadow All alone and feeling blue
It is through the intentionality of poetic imagination that the poet's soul discovers the opening of consciousness common to all true poetry.
I would've been intrigued by being a film director. I would've been intrigued by politics. I thought about architecture.
I have always been intrigued by other cultures, and traveling to foreign lands has always been a part of my personal passion for learning about our world.
I've always been one to want to memorize everything and just be confident that I know all of the lines, but that changed. After college, I realized it's not as much about being off-book as it is about completely understanding the character and, more so, getting into the mind of your character.
When I was a kid I believed everything I was told, everything I read, and every dispatch sent out by my own overheated imagination. This made for more than a few sleepless nights, but it also filled the world I lived in with colors and textures I would not have traded for a lifetime of restful nights.
When I connect to my soul, project it into another #? character , and then bring it to the stage or to a film--that has always been for me the great joy of #? acting . It's been as if my soul kind of leaps out of my body and is able to be free and dance around.
Finally, good sense is the body of poetic genius, fancy its drapery, motion its life, and imagination the soul that is everywhere and in each; and forms all into one graceful and intelligent whole.
I've always embraced everything and been open-minded about what's ahead.
The tragic element of a character is always intriguing I think.
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