A Quote by Ann Druyan

Well, I actually grew up in the sixties. I feel very lucky, actually, that that was my slice of time that I was dealt. Let's remember that the real motivation in the sixties, and even in the fifties, was the Cold War.
I grew up in the Fifties and Sixties and remember how unpleasant all kinds of food could be then.
People don't remember that during the Fifties and Sixties there was a Cold War, and kids were getting under their desks during school because they thought they were going to get bombed. So it wasn't really that ideal at all.
The great triumph of the Sixties was to dramatize just how arbitrary and constructed the seeming normality of the Fifties had been. We rose up from our maple-wood twin beds and fell onto the great squishy, heated water bed of the Sixties.
You have to remember that I was an Australian girl of the Fifties and Sixties. For Australians at that time, it was imperative to get out of the country and discover the world.
I think The Doors are one of the classic groups, and I think we're all tempted to feel like the time in which we grew up was somehow special, but I really do believe that there were two golden eras in music: The Forties and Fifties of big band, jazz and swing, and the Sixties and Seventies of rock. To me, they're really unparalleled.
In Windsor in the forties, and even up into the fifties and sixties, if you were black, you had to sit in the balcony of the theatres, and you couldn't buy property in most places.
I grew up in the Fifties and early Sixties, which were still quite conservative, and I wasn't given any information about sex or anything like that... I went out with girls at school because one had to. I didn't experiment with sex for quite a long time.
In the fact that 'Vogue' is someone that can help guide enormous audiences through this fascinating world, I would like to think we are as influential and actually are now reaching so many more people than we ever dreamt of back in the Fifties or the Sixties.
In many ways, everything about my upbringing decreed that I wouldn't write a memoir because in the world where I grew up, in Chicago in the Fifties and Sixties, one key way of protesting ourselves - 'we' meaning black people - against racism, against its stereotypes and its insults, was to curate and narrate very carefully the story of the people.
When I was growing up - say in the fifties - the thirties to me didn't even exist. I couldn't even imagine them in any kind of way, so I don't expect anyone growing up now is gonna even understand what the sixties were all about, anymore than I could the thirties or twenties.
Growing up in the fifties and sixties, I can only remember knowing one child, ever, whose parents got a divorce, and hardly any whose mother "worked" at anything besides raising her children.
Growing up in the fifties and sixties, I can only remember knowing one child, ever, whose parents got a divorce, and hardly any whose mother 'worked' at anything besides raising her children.
As an older person, I do feel an obligation to tell the story about what was really happening in the fifties, sixties, and seventies, as I saw it.
In the fifties, you have your beauty as a treat. I thought that until I hit the sixties.In your sixties, life decides to reward you with certain kinds of profound appreciation, so that people name their children and schools and libraries after you! And you still have your sexuality and your sensuality. If you want your sexuality, you still have it.
Minimalism itself had a very strong iconoclast impulse. You think of the sixties as loose and liberated, but in art it was actually quite the contrary.
I'm a child of the sixties, I'm a man of the sixties. During that period of time this country was coming apart at the seams. We were in Southeast Asia. Good men were dying for America and for the Constitution.
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