A Quote by Ann Hood
In Orphan Train, Christina Baker Kline seamlessly knits together the past and present of two women, one young and one old. Kline reminds us that we never really lose anyone or anything or – perhaps most importantly – ourselves.
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Christina Baker Kline writes exquisitely about two unlikely friends—one, a 91-year-old survivor of the grinding poverty of rural Ireland, immigrant New York and the hardscrabble Midwest; and the other, a casualty of a string of foster homes—each struggling to transcend a past of isolation and hardship. Orphan Train will hold you in its grip as their fascinating tales unfold.
I'm a young girl with an old soul. I wanted to fuse the two together, the past and the present.
Kevin Kline is an honorary Brit.
I have a treasure trove of Baker memories, all of which reinforce my sense of Howard Baker as one of the most decent people with whom I have worked. While I was simply a young staffer, he never treated me or my colleagues as anything else but equals.
I don't wake up in the morning and think about Franz Kline.
April is the two-week-old kitten, the month-old lamb, the six-month-old heifer, the two-year-old girl. Too young to know it has either past or future, it wears the ribbon of the fleeting present as part of itself.
Memory is a part of the present. It builds us up inside; it knits our bones to our muscles and keeps our hearts pumping. It is memory that reminds our bodies to work, and memory that reminds our spirits to work to: it keeps us who we are.~Candle
My greatest desire was to be in a sandbox with Kevin Kline or Kenneth Branagh - to be with the people I admired - and I have.
I really love 'Soapdish.' I wish 'Soapdish' had more of a moment because I felt that that is a really strong, funny movie. Kevin Kline is hilarious in that movie.
Christina Stead has a Chinese say, "Our old age is perhaps life's decision about us" or, worse, the decision we have made about ourselves without ever realizing we were making it.
As long as Kline doesn't kiss you." The warning was clear in his voice. "Same goes." "If he kisses me, he's getting decked." I laughed. "You know what I meant.
Live in the present. The past is gone; the future is unknown -- but the present is real, and your opportunities are now. You must see these opportunities; they must be real for you. The catch is that they can't seem real if your mind is buried in past failures, if you keep reliving old mistakes, old guilts, old tragedies. Fight your way above the many inevitable Traumatizations of your ego, escape damnation by the past, and look to the opportunities of the present. I don't mean some vague moment in the present -- next week or next month, perhaps. I mean today, this minute.
art is the most general condition of the Past in the present. ... Perhaps no work of art is art. It can only become art, when it is part of the past. In this normative sense, a 'contemporary' work of art would be a contradiction - except so far as we can, in the present, assimilate the present to the past.
Kevin Kline gives a master class in acting. He finds every nuance of mirth and melancholy in this wonder of a role and rides it to glory. You can't take your eyes off him.
Franz Kline, who became known for his black and white paintings, did a whole series of gorgeous landscapes and wonderful portraits that may still hang in Greenwich Village.
What we call music is what reminds us of ourselves. And sometimes electronic music helps lead the imagination to a space that seems outside of ourselves. But it never really is.
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