A Quote by Ann Hui
To be honest, I am not especially pleased to be slotted primarily as a 'woman filmmaker', but it's okay with me. Plus, I see the relevance and the strength of having a distinctive subject and drift for promotional purposes
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'Sunshine' is really an experiment for me to see if I am a filmmaker beyond having my own stories to tell.
An academic discipline, or any other semiotic domain, for that matter, is not primarily content, in the sense of facts and principles. It is rather primarily a lived and historically changing set of distinctive social practices. It is in these practices that 'content' is generated, debated, and transformed via certain distinctive ways of thinking, talking, valuing, acting, and, often, writing and reading.
What's nice for me, having identified myself for years as being rather shy, is now, wherever I am, in public, there tends to be a friendly face who's pleased to see me, and I like that.
As touching nature I am a worm of this earth, and yet a subject of this commonwealth; but as touching the office wherein it has pleased God to place me, I am a watchman... For that reason I am bound in conscience to blow the trumpet publicly.
It was never a deliberate decision to make films about the 'woman experience'. Having said that, we are all many things - for example I'm Igbo and Nigerian, a director, a filmmaker etc., but I feel what affects me the most, especially the way people/society view or treat me, is the fact that I'm a woman, and I'm fascinated by that.
Being tied down to a pre-med or engineering track would have slotted me into a very narrow group. Being a young filmmaker allowed me to explore many areas of life and many kinds of people.
I think that we need to have an honest conversation in this country. This idea that somehow we're beyond sexism, beyond racism is just wrong. And this is where having an honest conversation with white men about their issues and their concerns, and having honest conversations about the experiences that African-Americans are still having, despite who's the president of the United States, in the criminal justice system that we see in sentencing, we see in policing and a lot of these issues.
I'm okay with having bad dance moves. I'm okay with having horrible lower teeth. That's what makes me me, and for some reason it's worked out all right.
It is difficult enough to be a woman in this industry. And to be a woman with a point of view, you get slotted. They expect you to be a bimbette and if you have an opinion, only God can help you.
There's a guy in the audience with a distinctive laugh. I hope that guy is miked. The only problem with having a distinctive laugh is I know exactly when that guy isn't laughing. "Oh, distinctive laugh doesn't think that joke was funny!"
I think there are actors who are like, 'Okay, what am I doing, how am I doing it, what's the appeal? Tell me what to do, what are the exact lines from the script? Okay, I got it.' I am not that way. I would be a terrible bus driver. I'd want to be like, 'Oh, let's take this side road! Let's see what happens when we go down this back alley.'
I changed my thinking on the whole subject of what it is to be attractive. It's fine, but I know that ultimately what I am and who I am is not cheekbones and a jawline, if you catch my drift. I ultimately know that who I am is not directly proportional to abs or straight teeth.
When I see that people want to listen to me and when I feel that they are supporting the goals that I am committed to, then I am very pleased.
I want to do roles that take women a step farther. I don't want to be slotted into anything. But if I get a brilliant role which requires me to be a mother, then I will do it. But I want people to see that a woman could be anything at whatever age, even if she is married or has two kids.
A filmmaker has to have great vision in order to tell a compelling story that is both distinctive and stylistic. I remember playing all movies in my head hundreds of times before they were ever made. You have to see it in your imagination. It has to be real to you.
I am a hopeless materialist. I see the soul as nothing else than the sim of activities of the organism plus personal habits - plus inherited habits, memories, experiences, of the organism. I believe that when I am dead, I am dead. I believe that with my death I am just as much obliterated as the last mosquito you and I squashed.
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