A Quote by Ann Leckie
I do realize the impulse to classify people by the food and art they consume is strong - sometimes I have to remind myself not to do that.
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Sometimes I remind myself of all the things that make me feel so blessed. And then I remind myself to remind myself more often.
Sometimes I feel like an impostor, and I have to remind myself, 'You are able to do this.' I look at the books on the shelf that have my name on them to remind myself I have done it before and, likely, I can do it again.
I probably spend more on food than a lot of people, and I feel good about the whole food chain I'm supporting when I'm doing it. But even I have to remind myself. I'm always complaining about the prices at the farmer's market.
God made us to consume food. He did not make food to consume us.
Art is consumed in so many different ways. You could say people don't stop to appreciate art. On the other hand, people can consume art more quickly.
There have been times when I'm writing about things that are personally embarrassing. Like any human being, sometimes I can't help but wonder - 'What are the people I know going to think about this?' So I have to remind myself that all is permissible. Art has to be a free space. Language has to be a free space.
Let's face it: so much of what we consume is not driven by knowledge but by basic craving and impulse. The process of what we eat starts in our heads. And no one is more in our heads than a food industry that spends billions of dollars in marketing its message in every means possible.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
I actually carry a little picture of a wolf in my wallet, rather like people carry a picture of their kids. The reason I do that is to remind myself why I'm doing this, to remind myself of the story.
That authentic experience that happens both in the artist and in the audience you can classify as a mystical experience. You can classify it as aesthetic shock, or even a psychedelic experience. Some people seek to recreate that experience through drugs. But the other way that you can do it is through art, and through spectacle. We have those experiences when we go to rock shows, or when we listen to a piece of classical music, or read a particular poem, or see a painting.
People want to classify and say, 'OK, this is a gangster film.' 'This is a Western.' 'This is a... ' You know? It's easy to classify and it makes people feel comfortable, but it doesn't matter, it doesn't really matter.
The Democratic Party likes to remind people that the Russian force around that was very strong, remarkably strong.
Minimalism itself had a very strong iconoclast impulse. You think of the sixties as loose and liberated, but in art it was actually quite the contrary.
I think I have always had a pretty strong creative impulse. And that has probably saved me from abandoning myself completely.
I have to remind myself when I'm on a job and I'm feeling a lull in attitude or confidence or whatever, I'm there for a reason. I have to constantly remind myself of these almost corny Pinterest mantras, like 'You are worthy.'
The demand for beef in Canada remains strong because I think people in America, in North America, know that we have a very strong food safety system and that our food is safe to eat.
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