A Quote by Ann Leckie

Working for several years as a waitress, you learn really quickly a couple of default scripts, so you know exactly what the interaction is going to be when the person sits down at the table.
I find it beautiful when we're in Italy that everybody sits down at the table together. My mother-in-law is like, 'It doesn't matter what's going on in the house, who is fighting, who is upset, who has appointments, you sit down at that table at one o'clock.'
The years have gone by quickly. Death sits in the seat next to me. We make a lovely couple.
Put yourself in the position of a person, sort of an ordinary American, "I'm a hard-working, god-fearing Christian. I take care of my family, I go to church, I, you know, do everything 'right'. And I'm getting shafted. For the last thirty years, my income has stagnated, my working hours are going up, my benefits are going down. My wife has to work two [jobs] to, you know, put food on the table. The children, God, there's no care for the children, the schools are rotten, and so on. What did I do wrong? I did everything you're supposed to do, but something's going wrong to me.
Happiness don't ask to see who you be afore her sits down at your table. 'Er comes and sits with them as know how to welcome her and keep her the willing guest.
I started at 5 years old in the kitchen table with my family supporting me. I know where I'm from and I know exactly where I'm going.
On TV, you never know where it's going. They may even lie to you about where it's going. You never really know because the scripts come in every couple of weeks or so.
If you are going to worry all night, you should let the hostess know that you're coming for cocktails and leaving when everyone sits down for dinner. If you do need to call to check in, people will understand, but excuse yourself from the table and head to the ladies room to do it.
It's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.
I get a script and it's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.
If we know exactly where we're going, exactly how to get there, and exactly what we'll see along the way, we won't learn anything.
I came up professionally as a lawyer, and when you're a lawyer, writing a 50-page brief in one night is just another day at the office. You learn to make choices really quickly, and you learn how to get thoughts down very quickly.
I learned how quickly I actually released my shot off the dribble. I know that's something I work on, and really use in games, but I didn't know exactly how quick it was, down to like the millisecond.
We get the scripts before the table read, but I don't look at them until we go into the table read. I don't want to know, when I'm playing a moment in the current episode, what's going to happen because it might change how I'm playing that.
A writer is someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is: when I speak of writing, what comes first to my mind is not a novel, a poem, or literary tradition, it is a person who shuts himself up in a room, sits down at a table, and alone, turns inward; amid its shadows, he builds a new world with words.
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.
I'm going to make mistakes, I just have to be able to learn from them as quickly as possible. To learn faster, I watch film of myself and other good point guards, and then breaking down my mistakes and really analyzing them and seeing where I could have made better decisions.
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