A Quote by Ann Macbeth

The more commercial work that is happening, the more people are operating cameras and are setting up studio lights, the greater the opportunity for drama production to happen.
My take on what happened with the moon landing was [......] they suspect [ sic ] that on impact that the cameras would be damaged because back in 1969 cameras weren't, you know, like they are today, as good. So they had a studio set up at CBS to mimic the moon landing. And sure enough the cameras broke and so they flipped, you know, the CBS studio on. And what you saw of the footage of the '69 moon landing was actually at CBS studio.
I just think that we're living in a world where the technology is advancing so rapidly. You're having cameras that are capable of more and more - the resolution on cameras is jumping up.
In my early teens, I knew I wanted to do television production. I loved cameras, editing and producing, anything that had to do with television production. My friend had a production studio across town, and we'd go over there at night and shoot and edit. I produced my father's televised service for 17 years.
If you're in a motion-capture studio, you have spherical, reflective markers, which are picked up by cameras that emit infrared - it reflects it, and then the cameras pick up the data.
I have always felt that my career was not going to be a straight shot up, but more of a kind of rolling wave, so that I could raise my children. So I got pregnant when I was the head of production at a studio, and I became chairperson at a bigger studio when I was pregnant with my second daughter. You just do it!
When we liberate the economic potential of women, we elevate the economic performance of communities, nations, and the world... There is a stimulative and ripple effect that kicks in when women have greater access to jobs and the economic lives of our countries: Greater political stability. Fewer military conflicts. More food. More educational opportunity for children... By harnessing the economic potential of all women, we boost opportunity for all people.
My focus is creating more - creating a DJ set, but also creating the feeling that it's a certain type of production that's happening using multiple decks. I'm layering tracks together, but I'm kind of doing the same thing that I would do in a recording studio.
What's happening is that the will of the people, the declared opinion of the people, who want more agendas, more ideas, more sensible redirections reforms in our country, are being thwarted by the mechanism of keeping third-party candidates, who are on more than enough States theoretically to get an electoral vote majority, to keep them off the mass media, the commercial media, to keep them off the debates.
Too many leaders are so caught up in the momentum of work that they lose sight of the opportunity to connect with people. I discovered that the more fully present I was with other people, the more fully present they were with me, and the more productive our relationship became over time.
From aerial robotics to big data analytics, technology presents the opportunity to expedite and magnify the impact of humanitarian relief efforts through greater efficiency and responsiveness: reaching more people, sooner, more cost-effectively, and saving more lives.
Everything has changed since I started recording in 1972. But the very things that have opened this industry, like the digital platforms to reach more people, have also killed things that were happening before in the recording studio. Now, most of the time, there are no real musicians in the studio; it's people with sequencers and things.
If you are someone like Jeff Koons, and you have to work out how to make a big chrome heart or something, then there are lots of people and a big production involved. The money is more natural somehow. For me, I am just on my own in the studio, trying to make things work. One thing is sure: it doesn't make painting any easier.
I do think we need more cameras. We have to stay ahead of the terrorists, and I do know in New York, the Lower Manhattan Security Initiative, which is based on cameras, the outstanding work that results from that.
If something depressing is happening, that's gold. That's the best possible situation you could be in. But if that doesn't happen, you just have to make up stuff - it's more fun because you have more freedom with what you can write about. You can invent characters and situations. It's actually easier.
I feel very, very grateful. I'm a lucky guy, you need a lot of luck, and then when the cameras roll, you have to have this group of writers, directors, and actors that just gel, and it seems to literally be happening more and more.
Acting is always more fun for me.I love being a part of a story, I love collaborating, I love working with different directors. If I just directed more and more, it would lessen the opportunity to work with all these big directors that I've had the opportunity to work with.
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