A Quote by Ann-Margret

Ever since I was four years old, I loved making people smile, making them think, making them feel good, feel some kind of emotion. — © Ann-Margret
Ever since I was four years old, I loved making people smile, making them think, making them feel good, feel some kind of emotion.
I love the theater as much as music, and the whole idea of getting across to an audience and making them laugh, making them cry - just making them feel - is paramount to me.
I've come to the realization that you can entertain people both through making them laugh and making them feel. You can be quiet, and they can feel, and you will have scored as well.
You can see desperation in people who are too eager to laugh because they're in such a hurry not to look at what's confronting them in their lives and that's kind of sad because there's a kind of pornographic aspect to it, of making some sort of pain go away, of hovering around a pain, making yourself numb, not feel anything.
When I'm with someone, I give them my time, and I give them my energy because I like making someone feel loved! And making them laugh, and just, like, being there with them.
I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
Ever since I was very young, as far back as I can remember, I have loved making pictures. I knew even as a child that, when I grew up, I would be an artist of some kind. The lovely feeling of my pencil touching paper, a crayon making a star shape in my sketchbook, or my brush dipping into bright and colorful paints — these things affect me as joyfully today as they did all those years ago.
I enjoy making people laugh and making them smile.
A lot of the themes that I write about are an affirmation of our existence on earth and making people feel like they are not alone, and making them feel like it is OK to be a little bit insane. That has always been sort of my credo in life.
Storyboards are kind of inflexible, once you finish making them you have to stick to them. Since animation takes such a long time you become a slave to a storyboard that was created four years ago while as an artist and storyteller you change, you have new ideas.
Most contemporary artists are behind the bubble in time. They're making videos that are so incredibly boring compared to a good movie. Or they're making work where I say, "You realize minimal art is 50 or 60 years old?" That's what I tell people to shock them. They just blanch.
You have to embrace the people that love you because you're making a difference in people's lives, and you're making them feel something with your music. That, I think, is the biggest key: to stay grounded and focused and stay true to who you are as a person.
I feel like I wasn't making music that meant anything to me until I was 26 years old, so I'm realizing that sometimes it takes three years or five years to understand what the point of even making music together is.
It's easy to scare people. It's easy to shock them. But making people laugh and making them feel is a big challenge.
Sometimes the only way you can feel good about yourself is by making someone else look bad. And I'm tired of making other people feel good about themselves.
Being in a rock band is about touring. It's about writing songs and it's about making records but it's also about taking a wonderful smile onto that stage and making the people feel good about themselves.
I feel like if I were to play the game completely and just get myself in a giant bottle of nail polish and put myself on display, I would feel like I had somehow cosmically lost. I feel like I'm taking a bunch of the ingredients and using some of them but not all of them and shuffling around and making people think I'm doing my job.
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