A Quote by Ann-Marie MacDonald

I started my career as an actor, then morphed into a playwright who accidentally became a novelist with my first book 'Fall On Your Knees.' — © Ann-Marie MacDonald
I started my career as an actor, then morphed into a playwright who accidentally became a novelist with my first book 'Fall On Your Knees.'
I come from the stage. I started my career as a stand-up comedian and then later on became an actor.
I started my career as a novelist. 'Veronica Mars' was first imagined as a novel.
I reluctantly signed up for a journalism major, thinking I needed a fall-back way to make money should my career as a novelist fail to take off. As I started to try on journalism, including doing internships and working at the campus paper, I found I actually liked it. So I started to want to be a journalist.
I started as an actor, then became a theater director. I loved acting but didn't feel as confident as I needed to be, so I started directing theater; then I played in some movies, and then I felt the need to do my own stuff.
If you do not know where your competitor is, or overconfident and snobbish about your competitor, or are unable to comprehend how yourcompetitor became a real threat, you will surely fall behind him. Don't be the "they" in this idiom: First they ignore you, then they laugh at you, then they fight you, then you win.
I've been many kinds of writers in my career: novelist; tele-playwright; short story writer. As a high-school student, I wrote amateur pieces for fanzines, and I've written for Hollywood.
If the actor points a fake gun and pulls the trigger, and you have to fall to your knees, you really do have to sell it. Otherwise, it takes the viewer out of the moment.
It started off for me as just wanting to be an actor and sort of resenting in a weird way being expected to write as well as be a comedian and an improviser. And then you think about it for a minute, and I smartened up and realized that the only way to sustain a career is to generate your own material. Or to be in control of your career as best you can. And in allowing yourself to do that it opens up a whole new world of possibilities. And then you're like "Oh, producing is a thing."
I started event managing as my first career which I started in 1989, and that was the first year when I started modelling as well, so every time I start something new it is because of an interest that I have and then that interest becomes sustainable and doable.
I'm a terrible actor. I'm still learning. When I first started, I wish I knew then to trust myself more, really. I was in a terrible panic in the early part of my career.
My career as an actor started when I was six years old, taking dancing lessons. Then I started getting paid jobs to dance at the age of seven.
Every first draft sucks, so when you have your favorite novel, and you're like, 'Wow, this is a masterpiece,' and then you write your first draft, and you're like, 'This is really bad,' and then you're like 'I can't do this because this is nowhere close.' When, in reality, the book you loved so much started out just as crappy.
I was in several school performances, mainly Shakespeare and comedic roles. I just accidentally became an actor. I totally didn't expect this.
Vidal was a novelist, an essayist, a playwright, a screenwriter, and many other things. Buckley started a magazine, hosted a TV show, lead a political movement, and was a master debater. They were multihyphenates in a way that you rarely see anymore.
But here's the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
I had no idea how one became an actor. I didn't know things such as drama schools existed. It all just sort of happened accidentally.
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