A Quote by Ann Nocenti
I think the best collaborations in comics come from a lot of talks with the artists where you are finding out what they want to draw, what kind of villains they want to do.
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If you want to be a chef or a scientist, you've got to know what the current thinking is, so if you want to write comics or draw comics find out what the very best ones are and look at them all and then you'll know where the bars are because the bars are often very high, if you are going to make a splash and make yourself known, you need to get to that level.
A lot of young artists and musicians that we work with, you think they're gonna want to come in and buy the rock star-looking leather jacket - whatever it is that you think they're gonna want. They all want a suit. They want a tuxedo jacket, they want a suit. They don't want to look like their dad in it, but they want a suit.
It was cool to me, as a fan of the comics, to see some of the villains that end up finding them there, and the way that they abuse Coulson before the superheroes come. I'm always, in the movies or in the animated series, getting into trouble that a superhero has to bail me out of.
I think the biggest challenge is going to be finding a place that sells comics. Ideally, you want someone to come out of a movie theater, look across the street, see a newsstand, walk in and find a copy of the 'X-Men' sitting there. But that's not what's going to happen.
It is much more fun to write about villains then heroes. The villains are the ones that think out the scheme, and the heroes just kind of come along for the ride.
I think if you want to do a thing properly you have to take a lot of care. I've always found it's easier to draw comics if you know clearly in your head what you're drawing, rather than if you try and make it up as you go along.
Rather than deliberately trying to draw something, use something you yourself like and want to draw, and I think the characters that come out of that will really have their own individuality.
The DC Universe has the best villains in fiction, right? I don't think there's any group of villains collectively or anywhere else that come close to DC's. Joker, Cat Woman, Lex Luthor, are all staples. A lot of the comic book icons are fiction icons.
If you want to draw comics, you really have to love to draw, as you will be spending many hours sitting down with a pencil or pen in your hand.
When I come across writing that really moves me and inspires me, my reaction is twofold. I want to share it with others and I want to draw something that is worthy of it. I love finding quotes that stop people-that really make them think. And I love the idea that my work, combined with meaningful words, can provide comfort or inspiration to someone.
I think I'm competitive. Competition fuels me. The urge to win. I want to win; I want the ball in my hands when it really counts. I want to be the best I can be. I want to come in every day and do everything I can to be the best that I can.
I've got a lot of other people who do a lot of things for me, so I've gotten to a part in my career where I'm doing a lot of talks because I want to get kids turned on. I want to see these kids, these geeky nerdy kids, go out there and do something.
It's always a bit risky, when you put yourself out there with somebody in a collaboration, but I think we learn things every single time, and we come out of it with a new perspective on writing because everyone's process is different. Unfortunately we don't always get to spend time in the studio with those artists - oftentimes it's just sending files online. But both can be liberating and productive in their own way. Some of the best collaborations happen when you're all in a room together.
I feel like I've been training my entire career for this moment in a lot of ways. So many artists just want to draw Batman, and I'm getting the opportunity to do the backups in a brand-new Scott Snyder project that has so many artists.
Today, we're struggling a lot, both men and women, with finding out what we're supposed to be. Like when you go on a first date, I always find it incredibly difficult to figure out whether I should reach for the check or not. I don't want to presume anything, but I don't want to be a ball-buster. A lot of rules are thrown up into the air and I think that maybe more than anything, we're confused.
You want someone you can sit with in sweats, plus go out with. You want them to have a lot of best friend qualities, but you want to make sure that you have the spice and passion that you wouldn't have with your best friend. You want the relationship to be one step beyond that.
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