A Quote by Ann Nocenti
When I was in college, I worked at a state hospital that was a dumping ground for all manner of the criminally insane and 'mental defectives' as they called them back then. It was a horrible place, like Arkham, mostly in terms of total neglect of the inmates, so I wanted to write an Arkham story.
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People who liked the 'Arkham Asylum' video game can Google comics to download.
One of DC's strengths is our archive of storylines ranging from 'Watchmen' to 'Arkham Asylum' to 'Sandman.'
West of Arkham the hills rise wild, and there are valleys with deep woods that no axe has ever cut.
You can't write a story about a mental hospital in the United States without facing the grand example of 'Cuckoo's Nest.'
Sometimes... sometimes I think the Asylum is a head. We're inside a huge head that dreams us all into being. Perhaps it's your head, Batman. Arkham is a looking glass... and we are you.
My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work.
I liked the idea that if something horrible was happening to one of the characters in the mental hospital, no one would believe them. The staff would just chalk it up to them being crazy. So it gives me a lot to work with.
In terms of the economics, yes obviously the rise of e-books and how people choose to read books has a big effect on the economics of the game. But whether people are buying them on paper or downloading them there's still some poor wretch in a room who is trying to write a poem, write a story, write a novel. And so my job doesn't change. It's just how people receive it and economic conditions on the ground change, but that doesn't affect what I write.
Of course nothing is ever done about a [presidential] commission report, except, they say, once a man at the state prison for the criminally insane actually read one once clear through. Then he did something about it. He made a bonfire that lasted a week.
Black Mask is new money. He's rich. He's very, very powerful. He's made it. He's known for being brutal and sadistic. And particularly at this point in the Arkham franchise he has enormous resources. He is the number one gang leader in Gotham. And has easily the most power in the city.
I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
Afraid? Batman's not afraid of anything. It's me. I'm afraid. I'm afraid that The Joker may be right about me. Sometimes…I question the rationality of my actions. And I’m afraid that when I walk through those asylum gates... when I walk into Arkham and the doors close behind me... it’ll be just like coming home.
Tennessee's a hillbilly dumping ground, and Georgia's a lousy state too.
If we want to create new rules of globalization, then we can't just think in terms of the nation state. The nation state has long offered protection. But it suffers from the fact that many citizens increasingly fear that it can no longer protect them: The threat of transnational terrorism is growing. Freedom of movement rules in Europe facilitate social dumping. Regardless of the make-up of the next government, it must have clear ideas on how to overcome the lack of direction of recent years.
Everybody had to go to some college or other. A business college, a junior college, a state college, a secretarial college, an Ivy League college, a pig farmer's college. The book first, then the work.
When I started to write 'Crazy Thing Called Love,' I wanted a conflict that would not only bring Billy and Maddy together in terms of proximity and give them a common goal but that would also drive a wedge between them. And nothing fit the bill quite like the arrival of some children.
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