A Quote by Ann Nocenti
When I first started writing comics, in the way-back days, Typhoid Mary was my explosive response to women characters in comics - I made her an innocent virginal type, a clever, dark, liberated woman, and as Bloody Mary, a feminist bent of punishing men - all in one character. She was an instinctual rather than a calculated creation.
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It was Mary who first adored the Incarnate Word. He was in her womb, and no one on earth knew of it. Oh! how well was our Lord served in Mary's virginal womb! Never has He found a ciborium, a golden vase more precious or purer than was Mary's womb! Mary's adoration was more pleasing to Him than that of all the Angels. The Lord 'hath set His tabernacle in the sun,' says the Psalmist. The sun is Mary's heart," and "Mary is the aurora of the beautiful Sun of Justice.
From my childhood, I remember a tiny old woman named Mary, made pale and almost translucent by time. Mary's childhood memories extended back to the confusing and violent finale of the Civil War, and she told stories of brutal murders in those days and refused to name some of the killers, as if dead men might still be prosecuted in the late 1950s.
Aunt Mimi possessed a horror of silence, which she battled with endless chat. The Typhoid Mary of the Telephone started her calls at 6:30 each morning.
When I started out, some women comics were jealous of other women comics, thinking, "If she gets "The Tonight Show," I can't." My philosophy always was, "If she did, I can too."
We think of a feminist as someone a woman becomes in reaction to personal indignities and social injustices. But the truth is, such inequities only awaken her to the feminist she has always fundamentally been - that is, a person who understands that her first responsibility is to her own humanity. That's why, for my money, the first known use of the word 'feminist' is still the best, appearing in an 1895 book review: a woman who 'has in her the capacity of fighting her way back to independence.
If 'Jingle Belle' harkens back to anything, it's sort of the Harvey Comics. Not really 'Archie,' but more of a teenage version of what Harvey Comics would have become, with the type of fantasy wonderland of her and her various friends.
When I first began to have the initial idea for 'Heartsease,' I just wrote a skeleton story; that is, I started her off as this young, bright 16-year-old and then added the events that occurred and where she and other characters fitted in, even writing 3 different endings, as I was not sure where Mary's story would lead to.
When you look at the dominance of Notre Dame, the love of Mary in almost every European country, psychologically, had to come from this recognition of the feminine mediating divine love. And for many people in history, it was clearly the preferred way because women raised most people, not men, so their first experience of unconditional love, of touch, of caring, of nurturing very often came from a woman - that got easily transferred to Mary.
I’m from the health department. You’ve heard of Typhoid Mary? This fella’s got enough typhoid to start his own colony.
Mary doesn't want to be treated as Mary J. Blige: she just wants to be Mary.
To say anything about women and men without marking oneself as either feminist or anti-feminist, male-basher or apologist for men seems as impossible for a woman as trying to get dressed in the morning without inviting interpretations of her character. Sitting at the conference table musing on these matters, I felt sad to think that we women didn't have the freedom to be unmarked that the men sitting next to us had. Some days you just want to get dressed and go about your business. But if you're a woman, you can't, because there is no unmarked woman.
Comics shouldn't be 'tools' for anyone's agenda except for the characters. And I am speaking only of super hero action comics. I love many of the alternative comics that are like journalistic stories. Documentary comics, a mix of reportage and fiction. Those are just great.
I've always been a fan of [Mary Elizabeth Winstead's]. She gets to do some fun action-y stuff she brings this gritty swashbuckle to. I think there's a lot of movies that have women in peril running away from the scarier things and then end up being saved by a man, so it's great to see this character MacGyver her way out of situations, whether physically MacGyvering away, or mentally MacGyvering a way out of something. I relate to her more than I relate to most leading men in movies.
I wasn't terribly aware of Catwoman. She was a DC comics character and as a kid, I wasn't terribly fond of the DC comics characters. I was a Marvel boy.
To journalists my move from comics to films to best-selling novels was resembling those little evolutionary maps too much, where you see the fish, and then it can walk, and then it's an ape and then it gets up on its hind legs and finally it is a man. I didn't like that. I didn't like the fact that there was something rather amphibious about me - at least in their heads - back when I was writing comics. So I like continuing to write comics, if only because it points out that I haven't just started to walk upright or left the water.
Comics as art. I do comics as comics, and my opportunity to tell stories. Simple. Basic. Let the characters have the excitement, not the package. That's where I come from.
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