A Quote by Ann Nocenti
I walked the streets of New York; I would feel the presence of Daredevil. I would see him up on the rooftop. What you are doing in your life, you start to see in your book. It all starts to merge together.
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The book was at a reasonably high position on the New York Times... before I was in the country. I thought it would be an interesting experiment to see if my presence here would push it up or down.
The planet earth is a sub-world, way below what's average, because if an enlightened being walked through New York City today, no one would see him or her. They wouldn't see the glow.
Have you ever walked into a store and wanted to leave your old life behind and become the person you would be if your life was full of the things in that store? I hadn't until I walked into At Land in Dobbs Ferry, New York.
The rum fiend would like to go and hang up a skeleton in your beautiful house so that, when you opened the front door to go in, you would see it in the hall; and, when you sat at your table you would see it hanging from the wall; and, when you opened your bedroom you would find it stretched upon your pillow; and, waking at night, you would feel its cold hand passing over your face and pinching at your heart. There is no home so beautiful but it may be devastated by the awful curse.
When a movie opened - if you lived in New York, you would see it at Radio City Music Hall where it would play a couple of weeks, and then you moved on to the next movie. Now you can see it the rest of your life - it's going to be on Netflix and DVD.
As a kid, my dad would take me to see indie films when I would visit him in New York. Films that I just wouldn't see growing up in the Bay Area.
What I am most proud of with the book On to the Next Dream is how I turned an intensely emotional experience into art. Anyone can run up to a rooftop, tear off their clothes, and scream about how screwed up the world is. But for the people down below, all they see is a person losing their mind. I wanted to make something that channeled that emotion in a way that elicited an empathetic response from the reader. So that after you read this book, you would want to run up to the rooftop and scream about how screwed up the world is.
You think about when you're with your friend, and you hang out with your friend. And then you go do whatever you're doing, your life. You know, and then you see your friend again. But for us, we were friends that, we would be together, and then we would go to work, which was us still again, so we were always together.
It's the third book of the Bible, called The Final Testament of the Holy Bible.My idea of what the Messiah would be like if he were walking the streets of New York today. What would he believe? What would he preach? How would he live? With who?
When I was living in New York and didn't have a penny to my name, I would walk around the streets and occasionally I would see an alcove or something. And I'd think, that'll be good, that'll be a good spot for me when I'm homeless.
Any person that you would want to watch your movie or see your show or read your book, there's a million other things that they could be watching or reading or doing.
The New York book was a visual diary and it was also kind of personal newspaper. I wanted it to look like the news. I didn’t relate to European photography. It was too poetic and anecdotal for me… the kinetic quality of new york, the kids, dirt, madness—I tried to find a photographic style that would come close to it. So I would be grainy and contrasted and black. Id crop, blur, play with the negatives. I didn’t see clean technique being right for New York. I could imagine my pictures lying in the gutter like the New York Daily News.
Well, I'm not able to work anymore as an actor and still at the level I would want to ... you start to lose your memory, you start to lose your confidence, you start to lose your invention. So, that's pretty much a closed book for me. And I'm grateful for the other things that have come into my life: grandkids, and restaurants and charity ... I've been doing it for 50 years. That's enough.
I am all for cultural diversity and would be willing to see each recognizable group value its cultural heritage. I am a New York patriot, for instance, and if I lived in Los Angeles, I would love to get together with other New York expatriates and sing "Give My Regards to Broadway".
When you were sleeping on the sofa I put my ear to your ear and listened to the echo of your dreams. That is the ocean I want to dive in, merge with the bright fish, plankton and pirate ships. I walk up to people on the street that kind of look like you and ask them the questions I would ask you. Can we sit on a rooftop and watch stars dissolve into smoke rising from a chimney? Can I swing like Tarzan in the jungle of your breathing? I don’t wish I was in your arms, I just wish I was peddling a bicycle toward your arms.
Morocco is completely alive for me because I spent about a third of my life there. The first few times I went back to Casablanca, I walked through the streets and remembered how years earlier I had walked those same streets and prayed that a miracle would happen and I would leave and become famous.
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