A Quote by Ann Patchett

If I had problems, I kept them to myself. I didn't make a scene. — © Ann Patchett
If I had problems, I kept them to myself. I didn't make a scene.
It might not be perfect, but the fundamental stance I adopted with regard to my home was to accept it, problems and all, because it was something I myself had chosen. If it had problems, these were almost certainly problems that had originated within me.
I actually went to see 'Rushmore,' and I came late, and I missed myself. It was great, that scene. I caught that scene the other day on TV, funny enough, the first scene that you see with Jason Schwartzman and myself, where we talk about his grades. That's a brilliant scene, and I have to say, we play it brilliantly.
I was on my face. I heard the count from one to 10. I kept telling myself that I had to get up, but I couldn't move. I couldn't make myself move. It was the strangest feeling.
I just know I've had my problems with The Undisputed Era. I've had problems with them throughout my whole run, so any chance I get to finish them off once and for all, I'm down.
I’ve never seen an exploding helicopter. I’ve never seen anybody go and blow somebody’s head off. So why should I make films about them? But I have seen people destroy themselves in the smallest way, I’ve seen people withdraw, I’ve seen people hide behind political ideas, behind dope, behind the sexual revolution, behind fascism, behind hypocrisy, and I’ve myself done all these things. So I can understand them. What we are saying is so gentle. It’s gentleness. We have problems, terrible problems, but our problems are human problems.
But we believed if we kept on working, if we kept on marching, if we kept on voting, if we kept on believing, we would make America beautiful for everybody.
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
Progress on problems is the measure of leadership; leaders mobilize people to face problems, and communities make progress on problems because leaders challenge them and help them to do so.
I remember the first scene I shot on 'The Blind Side.' I was with Sandra Bullock, and I kept trying to stop myself thinking, 'Oh my God, I can't believe I'm in a movie with her.'
I had developed a survival skill of using my wit to score for myself. If a scene was dying, I'd lob in these little bombshell lines that would get me some attention and a laugh without really helping the scene.
The lifelong health problems of John F. Kennedy constitute one of the best-kept secrets of recent U.S. history - no surprise, because if the extent of those problems had been revealed while he was alive, his presidential ambitions would likely have been dashed.
There was some scene in The Blues Brothers movie, when they had the chicken wire across the front of the stage, and it was almost like that. They had a big guard rail around the stage, which kept the college kids from getting on... we had some good times.
Immersing myself in Shakespeare's plays, reading them closely under the guidance of a brilliant, plain-spoken professor changed my life: It opened up the great questions; it put my petty problems into perspective. It got me out of bed in the mornings and kept me in the library late into the night.
I started out as a poet who primarily wanted to write about image and moment. Over the years I've been trying to teach myself how to do plot and scene. My first story collection had the most issues with the plotlessness, and when I was writing my second collection I was teaching myself how to make things happen.
The stuff I've seen and lived and survived. Gun to my head, cops coming to your house. I had the confidence of telling myself that I'm going to make it. Everything I've been through, I could've had a mental breakdown, but I kept it together. If I didn't have that confidence I wouldn't have made it. That confidence has nothing to do with basketball.
When I originally entered UCLA, I had planned to go for a film major, but I kept finding myself taking math classes for fun, 'cause I missed them from high school!
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