A Quote by Ann Patchett

You throw a person in the river and then make a spectacle of jumping in to save them. — © Ann Patchett
You throw a person in the river and then make a spectacle of jumping in to save them.
So our lives glide on: the river ends we don't know where, and the sea begins, and then there is no more jumping ashore.
'Writing' is the wrong way to describe what happens to words in a movie. First, you put down words. Then you rehearse them with actors. Then you shoot the words. Then you edit them. You cut a lot of them, you fudge them, you make up new ones in voice-over. Then you cut it and throw it all away.
I want to go base-jumping off Angel Falls and then canoeing down that river that goes east. That's what I really wanna do.
I didn’t do anything wrong. All I know is I saw two people struggling to get inside these walls and they couldn’t make it. To ignore that because of some stupid rule seemed selfish, cowardly, and…well, stupid. If you want to throw me in jail for trying to save someone’s life, then go ahead. Next time I promise I’ll point at them and laugh, then go eat some of Frypan’s dinner.
Lichfield, England. Swallows certainly sleep all winter. A number of them conglobulate together, by flying round and round, and then all in a heap throw themselves under water, and lye in the bed of a river.
The way you challenge Superman is by having things happen very, very quickly in different places and then asking, 'Who does he save first? What powers must he use to save each person or stop each disaster?' That's one of the ways you make him interesting beyond the thematic and moral issues that make Superman.
You can't save everybody. In fact, there are days when I think you can't save anyone. Each person has to save himself first, then you can move in and help. I have found this philosophy does not work during a gun battle, or a knife fight either. Outside of that it works just fine.
I think some fighters, when they throw a punch and throw everything they have, and it doesn't affect the other person, it might crush them a bit.
People worship and revere Ganga as a mother, and then throw away flowers in a plastic bag into the same river.
I shall take all the troubles of the past, all the disappointments, all the headaches, and I shall pack them in a bag and throw them in the East River.
People ask me how I make music. I tell them I just step into it. It's like stepping into a river and joining the flow. Every moment in the river has its song.
I have transported many, thousands; and to all of them, my river has been nothing but an obstacle on their travels. They travelled to seek money and business, and for weddings, and on pilgrimages, and the river was obstructing their path, and the ferryman's job was to get them quickly across that obstacle. But for some among thousands, a few, four or five, the river has stopped being an obstacle, they have heard its voice, they have listened to it, and the river has become sacred to them, as it has become sacred to me.
That's the key to defending any quarterback: to make them throw before they want to throw.
When you take the people who most need work and connect them with the work that most needs doing, you save. You save that young person’s life, you save a whole bunch of money, and you save the soul of this country when you invest and give people a chance, give people hope, give people opportunity.
You can't blame movies for embracing spectacle; filmmakers since D.W. Griffith and Cecil B. De Mille have loved spectacle, and spectacle is something that movies convey like no other medium, especially in a digital age.
I sat there and forgot and forgot, until what remained was the river that went by and I who watched. On the river the heat mirages danced with each other and then they danced through each other and then they joined hands and danced around each other. Eventually the water joined the river, and there was only one of us. I believe it was the river.
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