A Quote by Ann Patchett
It was all in my head and now all I had to do was figure out a way to get it down on paper.
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I don't work with an outline, except a vague one in my head, a general idea of character, place, arc... I'm like a composer with a symphony in their head: I can hear the music, I just have to figure out how to put it down on paper. But I don't always know where my stories are going when I begin.
I have a tendency, more than most other physicists, to try to figure out everything all at once, before I publish. And even to try to figure out everything in my head, without pencil and paper.
I'm probably the most proud of "Mrs. Potato Head," because I had that idea in my head for so long, and I tried writing that song one time and I just couldn't tell the story the way I wanted to, and I couldn't figure it out.
That's why I hate the outlines and treatments, because all you get are cliches. If you put things down on paper as your plan, it's very hard to get those ideas out of your head and do something better.
I'm also big on journaling. You can write in the sand or on a watermelon or whatever suits you, but the key is to get it out of your head and out of your heart and down your arms and into something, a keyboard or piece of paper.
I have a scenario but almost always it's entwined with at least one person to begin with. Then I sort of expand from there and I'm thinking about books novels. I've got these scrolls of paper that I hang up in my office and this is my idea room, my nightmare factory, and I have a big title at the top of the scroll and on the left hand side I have these character sketches on the characters, and then once I figure out who they are I can figure out what they want and once I figure out what they want I'm able to put obstacles in the way of that desire, and that's where plot springs from.
I realize now I could have gotten a whole book out of that and so I think that was a big mistake. But the truth is you write in the moment and with your head down and there is no way back then that I could have conceived of Harry having the longevity that he has had.
In the second grade, I would just get bored and a joke would pop into my head and I would have to say it. It was almost like I had some brilliant novel in my head that I had to get down, and I would interrupt class all the time and get in trouble.
What you have in your head, put down on paper. The head is a fragile vessel.
I don't get pat down, you know what's on the waist,
I don't mean Jazz when I say I "count base."
Fly Louis sneakers, Purple Tape coming out the speakers,
Bumped into my high school teachers,
They said I wouldn't be nothing, sitting on the bleachers.
Now I'm sitting in the Phantom, trynna figure out the features.
I'm a big fish now, I watch for the leeches.
Jay-Z is like a rap-savant, he doesn't have to write the rhymes down, he can create complex raps in his head. I mean he does memorize it, he just doesn't write it down on paper. He doesn't freestyle onto the track, it's all thought out.
An uncomfortable feeling is not an enemy. It's a gift that says, "Get honest; inquire." We reach out for alcohol, or television, or credit cards, so we can focus out there and not have to look at the feeling. And that's as it should be, because in our innocence we haven't known how. So now what we can do is reach out for a paper and a pencil, write thought down, and investigate.
I had thought comics could only be one thing, and that was what mainstream comics were selling us. And the undergrounders proved anything you had in your head, as long as you had the skill to put it down on paper, was fair game. And I started filling sketchbooks with my own comics.
The way I write is, I listen to things in my head, and then I copy them down. I memorize conversations and things like that; I seem to be able to do that pretty well. I suppose in that respect there's some improvisation, although I work over the stuff after I've got it down on paper.
I went to the four levers. None of them were marked. There was only one way to figure out which one was the right one. I had to call upon all my Traveler experience and special powers to figure it out. It's called...Eenie, meenie, miney...mo!" -Bobby Pendragon
In Budapest, I always had questions. What is your signature dish? They, of course, said goulash. I loved it so much and now have to figure out a way to make it at home.
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