A Quote by Ann Patchett

Maybe there would be a bad outcome for some of the others, but no one was going to shoot a soprano. — © Ann Patchett
Maybe there would be a bad outcome for some of the others, but no one was going to shoot a soprano.
On moral grounds, I think that if you believe a certain outcome is a very possible outcome, you have an obligation to tell people that. With global warming, the probability of a bad outcome if we stay on our current emission trends is incredibly high. If you know a bad outcome is likely to happen, what right do you have not to communicate that? You go into a doctor's office, what are they going to do - not tell you the diagnosis?
Increasingly as I've gotten older, I'm much more interested in what the reality of the shoot is going to be versus what the result of the shoot might be. I'm so bad at guessing what's going to be good and what's going to be bad - there doesn't seem to be any correlation between things that are within your control.
We don't really make bad records, though some people might like some more than others. And we have never really done a bad show. So I think in a way maybe we've been taken for granted.
Maybe some folks are alcoholics and others are just voluntary drunks. Maybe some folks drink due to body chemistry and others due to their lazy characters. Maybe some have drinking problems, while others have problems enough to drink.
That said, it was pretty awkward and a weird thing to shoot. Some women had a sense of humour about it and we'd laugh, but some were very serious and suspicious... like I might be doing something bad, or maybe they were just uncomfortable.
Gabe scratched his double chin. "Maybe if you hurry with the seven-layer dip...And maybe if the kid apologizes for interrupting my poker game." Maybe if I kick you in your soft spot, I thought. And make you sing Soprano for a week.
If you beat someone with a good name, of course some people are going to say he's past his prime, he's washed up, or he shouldn't be fighting. You're always going to have critics. It doesn't matter what the outcome is, whether it be good or whether it be bad.
I'm also not sure that I look up to others as knowing what the hell is going on, except maybe Andre Agassi, who, when I interviewed him, while covering the U.S. Open, seemed to know what was going on. My basic assumption is that we're all confused all the time. Some people do act more confident, though. Maybe they aren't confused. I am. I'm confused.
There's some nights you shoot the ball better than others. When you don't shoot it well, you have to have an understanding you can play well by doing other things.
But the bottom line is, no matter what, even if I shoot 90 tomorrow, I'm going to enjoy it. Maybe people will say "Oh, he blew it" or whatever. Maybe I'm going to blow it, it's the first time I've ever been there. What do you expect? You know I'm not number one in the world. My knees are going to touch each other on the first tee tomorrow. But let me tell you, I'm going to enjoy it.
You never judge a person if they're going through their downs because you always stick with them when they're going through their ups. If you stay in football business long enough, you're going to have some bad games and you're going to have some bad seasons.
When I first told people I was writing a book, some would say that was interesting, but others thought it was some holiday project and I would lose interest. I think my parents thought the same thing, and they were surprised when I kept going. I'm not sure I thought I would keep going, but then it became a big part of my life.
Yeah, I like that idea. Maybe he'll shoot at us again. I was hoping someone would shoot at me today. That was the first thing I said when I got up: Boy, I hope I get shot at today.
I'm somebody who gets up every day and says, 'What am I going to do today, and how am I going to do it?' I think it moves me toward some outcome I'm hoping for and also has some, you know, some joy attached to it.
Those who want to be serious photographers, you're really going to have to edit your work. You're going to have to understand what you're doing. You're going to have to not just shoot, shoot, shoot. To stop and look at your work is the most important thing you can do.
I worked at a bunch of salons, and at one, a girl was going out to do a photo shoot for a women's magazine and brought me along to assist her. I remember going on that shoot and thinking, "God, this is great. It's creative, and you get to work with all of these other creative people." At that point I decided that hair would be my in to fashion and all the things I thought I would enjoy - and did enjoy.
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