A Quote by Ann Patchett
Seeing images of violence - it's always about how somebody's going to kill you.
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I'm so sick of seeing guns in movies, and all this violence; and if there was going to be violence in Pines, I wanted it to actually be narrative violence. I wasn't interested in fetishizing violence in any way of making it feel cool or slow-motion violence. I wanted it to be just violence that affected the story.
It's crazy. I don't know how I'm not dead. People think I'm going to get punched in the face: "Something terrible is going to happen to you. You're going to get killed." That's not what's going to kill me. The show is going to kill me. The work is going to kill me. Once I'm on the street, I'm not worried about that.
Because people see violence on the movie screen, they're not going to go out and hold up a liquor store and kill somebody. It really doesn't correlate.
I have always said that archival images are images without imagination. They petrify thought and kill any power of evocation.
I am myself a professional creator of images, a film-maker. And then there are the images made by the artists I collect, and I have noticed that the images I create are not so very different from theirs. Such images seem to suggest how I feel about being here, on this planet. And maybe that is why it is so exciting to live with images created by other people, images that either conflict with one's own or demonstrate similarities to them.
And you get into that sort of cannibalistic feeling - all you want to do is go out there and, like I say, kill somebody. I'm going to get him. I'm going to kill'em. Not like you are going to put them into the ground after, but you just want to kill a guy.
I don't think there is anything wrong with watching violence but I just think you have to present it in the appropriate light. I was like just watch how many accidents and deaths horror causes. Whereas I don't think anybody is going to go: "Oh, I just saw The Shining and I think I'm going to go axe somebody!" These movies aren't for everybody. The dark side of anything isn't for everybody. I think that you have to have some sort of responsibility in how you portray it because I always want the violence to seem real and if it seems disgusting then good, because it should.
I've got two little girls, I'm not scared about sex. I'll teach them, it's not going to kill them. But what could kill them is violence. Guns, drinking and driving, these are the real dangers in our society.
Another problem about writing about politics in the "age of globalization" is that so much of the violence in the form of war and also in the forms of institutional violence - sweatshops, child labor, victimization of people economically - happens elsewhere and out of sight. And when we do know about it and need to witness it, it's always mediated by images of one kind or another, so you're kind of stuck trying to write about what it's like trying to be you living your life thinking about and experiencing this stuff in that way.
He was somebody who made me think, I suppose, about the contemplative life. I've always been a city fellow, but I've often had vague thoughts about 'checking out' and perhaps going into a monastery and just seeing what it was like.
I don't think you can develop or learn a way of seeing or a point of view. A way of seeing is who you are, how you think and how you create images. It is something that is inside of you. It's how you look at the world.
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
I think there's a danger in letting someone else shape how you're going to approach a player. Every person has somebody who's going to say something negative about them, you know? If you pay attention to all that stuff instead of seeing it for your own eyes, you can miss out on some opportunities.
The problem to me is violence. It's not cool to kill somebody or hurt people.
I'm not saying I'm going to rule the world, I'm going to change the world. But I guarantee I will spark the brain that will change the world. And that's our job. It's to spark somebody else watching us. We might not be the one, but let's not be selfish. And because we['re] not going to change the world, not talk about how we should change it. I don't know how to change it. But I know if I keep talking about how dirty it is out here, somebody's going to clean it up!
The violence that has been going on incessantly in our community, getting worse and worse by the day, when we are slaughtering ourselves in unprecedented numbers; filled with self-hatred for each other in a spirit of retaliation and revenge. You kill my dog, I'll kill your cat, as though there are no consequences for this behavior, I have warned us about for the last three, nearly four decades telling our people we're going to have to pay a price for this.
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