A Quote by Ann Patchett
I should figure out why I'm so much more interested in doing something that I think is really hard. But, somehow, the thing that is hard for me feels more noble.
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Comedy is hard to do, and I don't know why it doesn't have its own category in awards. I don't understand why people think it's harder to do drama than it is to do comedy. It doesn't get respect. It's hard. It's really hard. It would be more gratifying to get something for a comedy, because it doesn't happen much or at all.
Over the Christmas period, I spent time with both Bob Hawke and Paul Keating, and you listen to stories and tales of how hard it can be when it's really hard, and I think we easily all talk ourselves into the proposition that it's never been as hard as this. Well it's been hard in the past. It's been really hard. So you keep doing it and, the more you do it, the more you gain strength and confidence that you can do it.
People are going to bash you. You get rejected. It's hard. I don't really feel like that's my place as the teacher. I think the most important thing is to figure out what they're trying to do and turn them onto writers who are doing similar stuff. I think that's something I can do more than anything else: get them to be big readers.
There's always a new thing happening to me that's even more extraordinary, so pressure gets harder. But I like it when it's hard. Anyone can do it when it's easy. When it's hard and you can do it good, you're proud of yourself. There's going to be more pressure as the years go by, that's for sure. But I think I'm a hard worker and I'm ready for that. As long as I believe in what I'm doing, the pressure is okay with me.
You spend 20 years doing something and when you're not doing it, it's hard to figure out what it is you're made of. Am I the guitarist in Slipknot and that is it, or do I have more dimensions than that?
I think it's only through learning, and doing something uncomfortable, that you can actually change. That's why I wanted to do a play. I was so scared of it and I knew my brain would really be stretched and it was going to be hard. And it was hard and uncomfortable. Instead of naturally wanting to avoid all those feelings I need to lean toward them more. But saying that, don't ask me to make a lasagna or a Coq au vin.
I'm more interested in talking about what I do. And I don't think people are interested in my personal life. I've never had a Hollywood life. I've always been a worker. But it's true: If you know something about a person outside of the movie that is really repulsive to you, it's hard to shake. So I prefer to do my speaking through the work. I don't want people to know anything about me, because that's not important. I'm more interested in the me that takes shape through these characters. The other stuff is personal and too easy to trivialize out of context.
I think network television is really hard because it has to sail right away. HBO's so much more nurturing, patient. They think it takes a while for a show to kind of congeal and figure out what its strong spots are.
The collateralized debt obligation, the CDO, is a structure which allows you to more or less continuously choose how much risk you want to take in a whole batch of securities. And the reason why they got us into so much trouble is that it's hard to figure out how much risk you really are taking.
It never seemed like that much of a mystery why shows I was acted in failed. When you're doing a show called Freaks And Geeks about young people in high school, and it's on Saturday nights at 8 and there's no promotion for it, it's not really hard to guess why no one's watching it. And when you're doing a college goofball comedy that premières three weeks after Sept. 11, it's not that hard to piece together why that's not the most important thing on the radar.
In whatever you choose to do, do it because it's hard, not because it's easy. Math and physics and astrophysics are hard. For every hard thing you accomplish, fewer other people are out there doing the same thing as you. That's what doing something hard means. And in the limit of this, everyone beats a path to your door because you're the only one around who understands the impossible concept or who solves the unsolvable problem.
I don't understand why it's more socially acceptable to say that you are a shallow person than to just say this is not something you want to do. Especially because it's a really hard job. It's a really important job. And why the hell should you do a really hard, important job that you don't want to do? That has extremely high stakes? That just blows my mind.
I think really the thing you should focus on is why you're for Ted Cruz, 'cause that's I think probably much more persuasive. If you're trying to change people's minds about Donald Trump, tell 'em why you're for Cruz, 'cause you're not gonna talk a Trumpist out of it. And the reason you're not gonna talk a Trumpist out of it is because they're feeling something really good, and they don't want to let go of that.
I always think it's because of you know hard work, hard training. And if Susie's training hard, you know, why can't I train hard to get a world record. I'm doing the same thing.
As an actor, doing it for 30 years, with every movie, you're trying to figure out a way to make it more naturalistic and more organic to humanity. When you have lines like, "Never let the monster out," it's hard.
For the most part, having more money and more fame make your life harder. It just does. I've seen it happen with people. You know, it's so hard to stay normal. It's so hard to stay happy. It's hard to remember why you were doing what you did in the first place.
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