A Quote by Ann Patchett

Some people need a huge amount of attention, and they are worthy of that attention, and they're still exhausting. — © Ann Patchett
Some people need a huge amount of attention, and they are worthy of that attention, and they're still exhausting.
You can buy attention (advertising). You can beg for attention from the media (PR). You can bug people one at a time to get attention (sales). Or you can earn attention by creating something interesting and valuable and then publishing it online for free.
We must strive to make ourselves really worthy of some employment. We need pay no attention to anything else; the rest is the business of others.
After a while, you just want transportation, and things like cool cars or motorcycles are all about getting attention. I get all the attention I could ever need, so I kind of like being in a minivan and people not paying so much attention to me.
Whenever I record something, I always believe that it's worthy of inclusion in the pantheon, and I would certainly like pianists to pay more attention to it. I think it's ridiculous now, because the range of repertoire - or what's considered 'safe' - is so narrow, even though there are pianists who are really trying to push the envelope. There is still a lack of attention, and there's no reason for it. The piano repertoire is so rich, with so many wonderful things that still are not given their due.
I think for any actor to say they don't like attention is ridiculous. Of course we love attention. But getting attention is different than pretending the attention means something.
People are mostly focused on defending the computers on the Internet, and there's been surprisingly little attention to defending the Internet itself as a communications medium. And I think we probably do need to pay some more attention to that, because it's actually kind of fragile.
From the simplest lyric to the most complex novel and densest drama, literature is asking us to pay attention. Pay attention to the frog. Pay attention to the west wind. Pay attention to the boy on the raft, the lady in the tower, the old man on the train. In sum, pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein.
I think that people are having to do like really crazy things to shock people now, to get people's attention and it kind of, it's this way in lots of different aspects of life. You know, people fight for attention. It's competitive. So they need to be the one that stands out.
I've chosen not to talk about my really private life to the press - I've never invited a huge amount of attention.
Attention pays attention to a lot of things, but when attention pays attention to attention, then there is a stillness, and that stillness introduces you to your Self.
In the opening stage of most careers any attention is what you want, any attention is good attention, even if it's bad attention.
There's an inordinate amount of attention put on actors. Some people want to make their lives public, but that doesn't mean everybody does.
With Dazed and Confused I got the high school experience I didn't get to have. So you do create families and homes. You're projecting and it's your job. The amount of time and headspace and thought it takes on your psyche is huge. It's exhausting, yeah. And it's exhausting but it's also great.
We're focusing on what we need to do. The only attention we're thinking about is giving each other the attention that we need as a team, and making sure that everyone in here knows how they important they are to our success.
We've not given any attention to the people in their 50s and 60s, who need attention, education and engagement, in terms of the society and in terms of their identity as human beings.
What information consumes is rather obvious: it consumes the attention of its recipients. Hence a wealth of information creates a poverty of attention, and a need to allocate that attention efficiently among the overabundance of information sources that might consume it.
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