A Quote by Ann Powers

You can't fool yourself anymore that your art is your art. When you're not getting paid for that song that's being traded back and forth among millions of people on the Internet, you have to think like a businessperson.
Self-censorship is a lie to yourself; if you are going to be trying to seriously create art, to create literary art, and you decide to hold back, to censor yourself, then you are a fool to yourself and it would be better that you kept your mouth shut and did not speak.
For me getting paid for art is a class issue. I don't have the luxury not to care. It's great if your parents buy you a house and you can sell your 400-page book for $2. But for marginalized people it's not as cool to martyr yourself.
People think that the art market is about opportunists and hedge-fund managers getting broken art, but what really happened is that there was a new configuration of bourgeois values in the U.S. and an acceptance among the bourgeoisie of contemporary art as an idea. I think that bourgeois people are horrible.
The entire 'my art is better than your art' thing really gets under my skin. The fact of the matter is: Your art IS better than my art... at being what it is. So what? It just so happens that my art is better than your art, at being what it is.
Exposing yourself to many kinds of art can only lead to amazing things. It helps you learn about your own art, your own taste, what kind of art you want to create for yourself.
I think that a lot of artists have succeeded in making what I might call "curator's art." Everybody's being accepted, and I always want to say, "Really? That's what you've come for? To make art that looks a lot like somebody else's art?" If I am thinking of somebody else's art in front of your art, that's a problem.
Do not copy nature. Art is an abstraction. Rather, bring your art forth by dreaming in front of her and think more of creation.
I think art comes out of meaningful experiences, and it's hard to make art when your meaningful experience is getting into your electric car and driving from your fancy house in the Hills to your fancy job in the Valley.
That's what I like about the idea of the aesthetic experience, the idea of both enjoying looking at works of art and how they kind of talk to you, and also the process of making art, getting back to that idea of the aesthetic experience of making art is very important, It's another way of thinking. Instead of just using your brain, you're using your hands to think with. They're different connections, the brain that comes through the fingertips as opposed that comes through the eyes and ears.
And style, by the way, is a very important thing. It is like your signature, your handwriting or it is something that you develop that is your way of presenting yourself and also your way of looking at what art - of how to make art.
...start thinking of yourself as an artist and your life as a work-in-progress. Works-in-progress are never perfect. But changes can be made...Art evolves. So does life. Art is never stagnant. Neither is life. The beautiful, authentic life you are creating for yourself is your art. It's the highest art.
Art shouldn't be something that you go quietly into an art gallery and dip your forelock and say 'I have to be very quiet, I'm in here amongst the art.' It's here, art's everywhere. It's how you use your eyes. It's about the enjoyment of visual things. And it's certainly not for any one group of people.
Make your life your art. It doesn't have to be that you're an artist. I know I talk about art a lot, but I mean a very broad thing with that. You could be a veterinarian, that's your art. Find your art; find your thing you love.
I like to say StumbleUpon provides a personal tour of the Internet. The responses are more targeted to your interests than they would be with a regular search engine. If you choose a topic on our site that you're interested in, such as art, Web sites related to art appear, as if you're leafing through an art magazine.
Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.
If being an anti-art artist is difficult, being an anti-art art historian is a hard position indeed. His doctrinal revolutionism brings forth nothing new in art but reenacts upheavals on the symbolic plane of language. It provides the consoling belief that overthrows are occurring as in the past, that barriers to creation are being surmounted, and that art is pursuing a radical purpose, even if it is only the purpose of doing away with itself.
This site uses cookies to ensure you get the best experience. More info...
Got it!