A Quote by Ann Reinking

In theatre or in ballet, the ballerina always passes on what they know. It's a hands-on craft. You can't really learn the soul and the pathos of it if you just see a video. It has to be taught by someone who is in the know.
We learned out craft. Acting is a craft and you must learn it. I see a lot of talent today in the kids but they don't know how to work. They don't know the craft of acting and you can only get that on the stage in theater. You cannot learn how to act in movies or in television.
I really enjoyed watching a ballerina named Denise Dabrowski who used to dance at California Ballet. She was a beautiful ballerina and role model for a lot of young dancers.
The craft of questions, the craft of stories, the craft of the hands - all these are the making of something, and that something is soul. Anytime we feed soul, it guarantees increase.
I was trained by Method acting teachers and we were taught that aside from whatever gift you may or may not have or the level of that gift, that you were obliged to know how to build a table. It's a craft. It's like being a ballerina or a violinist.
The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller.
I was crazy into performing when I was younger. I was obsessed with the craft of acting, and theatre, and stage. You know the term 'theatre geek?' I am the extreme theatre geek.
Kids are always told that they can be anything that they want. But what if you want to be a ballerina, and you're terrible at ballet? Or what if you're gifted at ballet, but you don't like doing it?
It's very difficult for me to do fund raising for my own organization if I'm working for other companies because sponsors will say, 'Well, hey, man, if she's doing a ballet for Ballet Theatre, we'll give money to Ballet Theatre.'
Photography is a craft. Anyone can learn a craft with normal intelligence and application. To take it beyond the craft is something else. That's when magic comes in. And I don't know that there's any explanation for that.
Perhaps someone will have seen mine, the one I’m waiting for, just as I saw him, in a ditch when his hands were making their last appeal and his eyes no longer could see. Someone who will never know what that man was to me; someone whose name I’ll never know.
Before founding Ballet Beautiful, I was a ballerina with the New York City Ballet.
Science class is traditionally taught as science history class - you learn all these facts that someone else discovered, which you need to know, but that's not really an inspiring way to learn science.
I have done some wonderful television, but you know, there's not as much exceptional material as there is in the theatre. So I do a lot of theatre, but really, as with most actors, I just love going from one to another. It's stimulating, it's diverting, it's a different way of life, and you know, I dearly like a good mix.
I'm a self-taught actor, which means that I had to learn everything on my own, as I wanted to know the craft deeper and deeper.
Being an actor in TV or movies is different. A film or TV actor, if put in theatre, won't know certain dimensions, while a theatre actor won't know certain things when he comes before the camera. So I think a film actor can learn emoting from this theatre counterpart, while the theatre actor can learn about camera techniques from the film actor.
David Langford, illustrates the difference between teaching and learning in a little story. He says, 'You know, last Wednesday I taught my dog to whistle. I really did. I taught him to whistle. It was hard work. I really went at it very hard. But I taught him to whistle. Of course, he didn't learn, but I taught.'
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