A Quote by Ann Reinking

That's very important when you're doing an ensemble piece, that you give it a variety of levels so it doesn't get too homogenous. — © Ann Reinking
That's very important when you're doing an ensemble piece, that you give it a variety of levels so it doesn't get too homogenous.
The thing about 'Next to Normal' is that it really is an ensemble piece for six actors. They are all asked to do very important things in the show, and I think all six are equal in terms of telling the story.
It's very important to learn quick lessons from your failures, very important to recognize symptoms of failure pretty early, and it is very, very important to not to be attached too much to the idea - you have to know when to give up an idea.
'Tango' is very much an ensemble piece and I was devastated when I read the script.
I never started out to be an action actor. I was an ensemble actor. "Rocky" was an ensemble film. "F.I.S.T." was an ensemble. "Paradise Alley" was an ensemble.
I love the idea of engaging the object, whether it be architecture or a piece of good graphic design, or a good painting, or piece of sculpture, or even a piece of industrial manufactured object. A piece of engineering can be quite beautiful, too, or a photomicrograph, or a cosmic photograph. We're physical beings and why deny that. So in that sense, it's very sensual to have an object that has the power to communicate some emotion or a state or give you some sense.
In terms of trying to improve as an actor, for me it's always important to return to the stage. After doing a piece of theater for a prolonged period, I can think I must have surely improved in some way as an actor - you must be fitter than you were prior to doing it. For me, theater is very, very important in keeping things fresh and dangerous.
Every time you have sex, you give away a little piece of your heart, and you give that away too many times and there's just nothing left and you've given away the most important part of yourself.
I kind of always wanted to act, but to get a grant I would have needed two A-levels, and I was too far away from even O levels. I didn't know you could get a scholarship, so I determined early not to pursue that.
Love is a very important part of life, and you have to give in to it. But after a while it ceases to be such an important force in life, and that's the time when you should give in to age and stop doing it, if you don't have the impulse any more.
It's important as a team that you don't get too excited with a win and you don't get too disappointed with a loss. You have to stay very steady, very focused on that middle ground.
That's very, very important to me, to give another narrative. And Netflix has not been afraid of doing that, as we see from the plethora of shows that they have, from British shows to American shows like 'Master of None,' which I've been very grateful to be on, too. Just giving platforms to people who haven't seen themselves on TV.
You carry that through and adapt it to a camera lens, but you're quite right, you cannot be sure of what an audience is going to do. You don't know what's going to happen to the piece you're doing anyway. You don't know how it's going to be edited. There are a lot more unknowns in cinema. But that you have to readily accept. That's when, I think, you have to forget about intellect, to a degree. Intuition is very important when you're working with a lens, I believe, for what the lens is doing, too.
The pieces of "Please Give" just did fit together. I'm very comfortable with the ensemble. I thought this was just going to be a movie about this girl who gives mammograms. She's the lead. And then before I know it, she's got a sister, neighbors, and sometimes parents and friends and then it's an ensemble. And that's what I'm comfortable with, I guess.
When you're me, when you're R. Kelly, everybody wants a piece of you, and if you don't give 'em a piece they'll find a way to get a piece of you one way or the other.
Artists are part of the information process... Visual history is important in providing a record of what is going on - levels of intention, levels of confidence, levels of aggression or control.
You have to support people who want to do weird, different, fun stuff. Otherwise, it'll get very homogenous.
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