A Quote by Ann Reinking
Show dancing stood very well on its own a long time ago with dancers like Bill Robinson and Marilyn Miller.
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It's kind of become a journey about the dancers, but dancers are the reason why this show is so successful. They are the choreographers, they are the teachers and if not for their hard work, there would be no 'Dancing With the Stars.'
I think it's long overdue, and I believed that Doris Miller should have been honored a long time ago.
I'm very smart when it comes to choosing dancers and trying to show the world that there's a whole lot of dancing going on.
Dancers are a great breed of people. And they really want to dance so you don't have to beg them to work. However, dancers sometimes build walls around themselves because they are presenting themselves all the time: dancing is very much a confession.
I'd like my grandchildren to be able to see that their grandmother stood up for something, a long time ago.
I got a part opposite Edward G. Robinson in a play called Middle of The Night, which Paddy Cheyafsky had written. It played for a long time because everybody just loved Edward G. Robinson, everybody in New York wanted to see it. John and I were married at the time and put into a position where I was working very long evening hours and he was working in the daytime and so there was a lot of spare time.
I love talking about the Kennedy assasination. The reason I do is because I'm fascinated by it. I'm fascinated that our government could lie to us so blatantly, so obviously for so long, and we do absolutely nothing about it. I think that's interesting in what is ostensibly a democracy. Sarcasm - come on in. People say Bill, quit talking about Kennedy man. It was a long time ago, just let it go, alright? It's a long time ago, just forget it. I'm like, alright, then don't bring up Jesus to me. As long as we're talking shelf life here.
You have to decide when it is time to move on. I was dancing on Broadway for many years. Then everyone was either getting injured or retiring and I was dancing with younger dancers.
I have a trainer, and I'm not a trainer person. I don't like the attention. I don't like the one-on-one scrutiny. But I've had to enter into a very sort of rigorous rehabilitation program to avoid surgery on my back. I've already had four surgeries on my feet and two on my knee - all from Broadway dancing injuries. On Broadway, they don't really rehab the dancers like they do in sports. It's, "The show must go on" .
I did a show a long, long time ago called 'Cooking Mexican'. It was a studio show as opposed to on-location like the one I do now. Before my first show, I was a cooking instructor, and I did a whole lot of classes for home cooks about Mexican food.
I was born in 1949 - which seems like a long time ago... Actually, it is a long time ago, when I think about it.
All of you are aware of the tragic history of racism in America, but for a very long time, African-Americans and their white allies came together and they struggled and they stood up for justice and they stood up to lynching and they stood up to segregation and the stood up to a nation where African-Americans couldn't even vote in America.
One of the great things about being on a show for a long period of time is watching the show evolve. A friend told me a long time ago "It should be easy" and it usually is if you're not distracted with the usual demons any creative person has. Especially with comedy because you find yourself laughing while you work.
Bill, we left megalomania behind a long time ago. Now we are gigalomaniacs.
A ghostly side note Soldier boy Miller played a Lucifer-like character in the final two episodes of Joan of Arcadia. Coincidence I do find it strangely poetic, ... that a character who shows up on a show about God to play something kind of satanic winds up in the very last two episodes of that show, and then appears in the show that replaces that show on its exact time and night the following season.
Acting is different from dance. The black-and-whiteness of dancing is mostly about the technical form - like, this is how people have been doing it for millions of years. You can't let down those ballerinas who died a long time ago. My teacher will say, "This person would be ashamed!" And it's like, oh God. But with acting, it's different because people like something fresh. You can mix it up and create your own thing and it's not necessarily wrong.
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