A Quote by Ann Reinking
I would not correct dancers if I was performing, because I don't believe in performers correcting other performers.
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Songwriters aren't always performers, and even performing songwriters aren't always the kind of show-biz performers you think they'd be.
The difference between the top performers and the average or mediocre performers is not a great, massive difference. It is just a tiny difference because the top performers do things just a tiny bit.
There are two types of people, two types of performers: Performers who know how to keep a show going, literally, when the power is gone and performers who haven't had that much experience and will panic and freak out and don't know what to do.
There are two types of people, two types of performers: Performers who know how to keep a show going literally when the power is gone and performers who haven't had that much experience and will panic and freak out and don't know what to do.
The best results come when people believe in and feel strongly about the music they are playing. Just as composers write for certain types of performers, performers are also looking for certain things.
Most performers don't admit this, because it sounds negative and performers are not supposed to be negative, but when I was on the road, I was lonely.
Ordinary performers have giant TVs. Extraordinary performers have huge libraries.
Hollywood studio executives don't recognize the value of female performers as much as male performers.
I still insist that American performers are the best performers in the world.
I've seen so much. And I've heard so many great performers. There are performers now that couldn't work back in the days when I came along.
When you have performers, there's the uniqueness of live performance and what performers do in concerts.
Some of the most powerful female performers I've seen balance the feminine and the masculine and are incredibly strong. Like, I think Hayley Williams is one of the best rock performers.
I like dancers who demand of themselves to achieve, not just technically but also as performers.
As long as I can get Bobby Heenan in my corner, then I'm a happy man because, to me, Bobby Heenan is one of the most underrated performers of all time. He's in my top five of all time performers because I don't think people realize just how good he was.
The hardest part about improv is getting the audience to relax and enjoy themselves, because most improv is not very good, and the audience is nervous for the performers the whole time. Not that they don't even like the show, but they feel bad for the performers.
I feel like people used to leave their homes and go to their local theatre, and they used to watch ballet dancers and musical theatre performers and tap dancers and orchestras and dog acts. You had to leave your home, be in the presence of other people, know how to behave, and enjoy the human being whose beating heart was in front of you.
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