A Quote by Ann Rule

The why of murder always fascinates me so much more than the how. — © Ann Rule
The why of murder always fascinates me so much more than the how.
If there is one thing in mathematics that fascinates me more than anything else (and doubtless always has), it is neither "number" nor "size", but always form. And among the thousand-and-one faces whereby form chooses to reveal itself to us, the one that fascinates me more than any other and continues to fascinate me, is the structure hidden in mathematical things.
How easy is murder when one calls it by a different name? How much easier is it for the conscience to condone "reaping" than "killing"-and when one knows that death isn't the end, does it stop the killing hand for fear of retribution, or does it simply make it easier to kill, because, if life continues, how can murder be murder at all?
A man lusts to become a god... and there is murder. Murder upon murder upon murder. Why is the world of men nothing but murder?
To kill someone for committing murder is a punishment incomparably worse than the crime itself. Murder by legal sentence is immeasurably more terrible than murder by brigands.
Noir focuses on the criminal mind, not a whodunit: more why they did it and will they get away with it. The abnormal psychology is what fascinates me rather than the puzzle-solving aspect.
It so fascinates me how we always laugh when somebody falls on a banana peel, how comedy and injury are often so interwoven. I've always been a sucker for that.
The photograph is the only picture that can truly convey information, even if it is technically faulty and the object can barely be identified. A painting of a murder is of no interest whatever; but a photograph of a murder fascinates everyone.
Marriage fascinates me: how we negotiate its span, how we change within it, how it changes itself, and why some relationships survive and others do not. There isn't a single marriage that couldn't provide enough narrative arc for a novel.
Why are murder mysteries so popular? There's a 3-part "formula" (if you want to call it that) for a genre novel: (1) Someone the reader likes and relates to (2) overcomes increasingly difficult obstacles (3) to reach an important goal. The more important the goal, the stronger the novel. And the most important goal that any of us have is survival. That's why murder mysteries are more gripping than a story titled "Who Stole My TV Set.
The messages that my work might contain, the verbal aspects, the use of words, certainly I never mean for it to be more than - shall we say? - fifty percent of the total, and sometimes my active interest is much less than that. It is the formal aspect of my painting which fascinates me most.
Significant consequences can begin very inconsequentially. That's one thing that fascinates me. The other thing that fascinates me is how accident can undermine something that's unfolding, something that might have played out differently otherwise.
It always does seem to me that I am doing more work than I should do. It is not that I object to the work, mind you; I like work: it fascinates me. I can sit and look at it for hours.
Do you have to do murder? Do we have to do murder? Sure we have to do murder. There are only two subjects--a woman's chastity, and murder. Nobody's interested in chastity any more. Murder's all we got to write stories about.
Hockey fascinates me more than anything else in life.
One's thoughts are one's most crucial adventures. Seriously and strongly and intently to contemplate doing murder is everyway more exciting, more romantic, more profoundly tragic than the murder done.
Dance fascinates me, and it is perhaps the most enriching audio-visual realm for a musician. Film-making also fascinates me.
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