A Quote by Ann Shulgin

It [MDMA] takes away the feelings of self-hatred and condemnation, which are the biggest obstacles to insight... For reasons we don't understand, MDMA allows people to do this, typically in one [psychotherapeutic] session.
MDMA, it was beginning to be apparent, could be all things to all people.
MDMA is penicillin for the soul; you don't give up on penicillin when you see what it can do.
I'm called the Godfather [of Ecstacy] because I published for the first time information about its effects in man. I feel content with the title. MDMA is a beautiful drug.
When I hear women talking about how their wedding is going to be/was the best day of their life, I can’t help but think, You just haven’t taken enough MDMA in a field at 3 a.m., love.
In the right circumstances, MDMA reduces or sometimes eliminates the neurophysiological fear response to a perceived threat to one's emotional integrity... With a barrier of fear removed, a loving and forgiving awareness seemed to occur quite naturally and spontaneously.
Self-hatred is OK. I have self-hatred, too. It's OK. What's bad is if you don't know how to get out of it, don't know how to manage it. Self-hatred is, in fact, a good thing if you can clearly see the mechanism of it, because it helps you to understand others.
Under this law (Controlled Substances Act) a bureaucrat-usually not elected-decides whether or not a substance is dangerous and how dangerous that substance is. There's no more messing around with legislatures, presidents, or other bothersome formalities. When MDMA (ecstasy) was made illegal in 1986, no elected official voted on that. It was done "in house." People are now in jail because they did something that an administrator declared was wrong.
Guilt is the sum total of: All the negative feelings we have ever had about ourselves! Any form of self-hatred, self-rejection, feelings of worthlessness, sinfulness, inferiority, incompetence, failure, or emptiness. The feeling that there are things in us that are lacking or missing or incomplete.
Fichte takes an I or free will to be not a thing or being but an act which is not undetermined but self-determined, in accordance with reasons or norms rationally self-given.
Condemnation by category is the lowest form of hatred, for it is cold-hearted and abstract, lacking even the courage of a personal hatred.
I felt I should also contrast Visconti's treatment of the novella - usually damned by Mann fans (who typically respect Britten's more "faithful" adaptation). The Visconti film does many quite wonderful things, although there are good reasons for the condemnation.
Introspection is self-improvement and therefore introspection is self-centeredness. Awareness is not self-improvement. On the contrary, it is the ending of the self, of the “I,” with all its peculiar idiosyncrasies, memories, demands, and pursuits. In introspection there is identification and condemnation. In awareness there is no condemnation or identification; therefore, there is no self-improvement. There is a vast difference between the two.
We focus on that really repulsive minority of racists. But then there's a continuum that goes all the way to, you know, what used to be called the white backlash or to, you know, the feelings of some white people that they're losing out and that the jobs and power and sort of the culture is drifting away from them and toward people who don't look like them, who don't - who they don't know very well. And that's not necessarily - I don't equate that with the hardcore ideological hatred of self-identified racists.
Obstacles are not opposing you, but merely and gently re-routing you. It is important not to view that which stands in your way as your 'enemy.' It can often be your best friend, sending you on a detour that takes you around what would have been your biggest stumbling block.
I like people who are as unlike me as possible, which is not an expression of self disgust or self hatred, but it's just that you know you obviously particularly admire things that you recognize yourself as not having.
I think if you listen to our records, they come at different points in your life. When people say to me that Stars records have themes, I think what they mean is we write songs - or try to write songs - that are timeless. We try to write songs that catch you at the right time in your life, and that you can hold on to. We write kitchen sink songs. If you're doing the dishes or you're driving to your mom's funeral, or if you're getting over having done MDMA and you feel sad, you can listen to Stars because we're not going to demand of you that you be cool.
This site uses cookies to ensure you get the best experience. More info...
Got it!