A Quote by Ann Voskamp

The frame of a soul was never made for fame. The frame of a soul was made to serve. — © Ann Voskamp
The frame of a soul was never made for fame. The frame of a soul was made to serve.
I saw, moreover, that it was not my good frame of heart that made my righteousness better, nor my bad frame that made my righteousness worse; for my righteousness was Jesus Christ himself, the same yesterday and today and forever.
In man's life, time is but a moment; being, a flux; sense is dim; the material frame corruptible; soul, an eddy of breath; fortune a thing inscrutable, and fame precarious.
It's this expandable capacity to represent reasons that we have that gives us a soul. But what's it made of? It's made of neurons. It's made of lots of tiny robots. And we can actually explain the structure and operation of that kind of soul, whereas an eternal, immortal, immaterial soul is just a metaphysical rug under which you sweep your embarrassment for not having any explanation.
Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul: While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things.
We should never stop at having won a soul for Christ. By this, we have done only half the work. Every soul won for Christ must be made to be a soul-winner.
I knew that if I wanted to really maintain control, I would have to keep the budget down. And I did. And I feel very fortunate that - y'know, this movie [Don Jon] - frame for frame, line for line - is exactly what I wanted it to be. Nobody made me change anything.
my soul is the mirror of the universe, and my body is its frame
There in front of me was the Senator on the floor being held by the busboy. There was nobody else around, and I made my first frame, and I forgot to focus the camera. The second frame was a little more in focus... then just for a second, while everything was open, the busboy looked up, and he had this look in his eye. I made that picture, and then suddenly the whole situation closed in again. And it became bedlam.(On the 1968 shooting of U.S. presidential candidate Bobby Kennedy.)
When my soul steps to exit this frame, I will be reincarnated as rain.
For it is unknown what is the real nature of the soul, whether it be born with the bodily frame or be infused at the moment of birth, whether it perishes along with us, when death separates the soul and body, or whether it visits the shades of Pluto and bottomless pits, or enters by divine appointment into other animals.
Soul music is soul music. It can be wrapped up in a neo soul package; it can be called hip-hop soul. But soul is soul, and it's been around; it will never go away.
To know intense joy without a strong bodily frame, one must have an enthusiastic soul.
Part of my methodological approach is made explicit when I discuss ways in which literature can have philosophical significance. Literature doesn't typically argue - and when it does, it's deadly dull. But literature can supply the frame within which we come to observe and reason, or it can change our frame in highly significant ways. That's one of the achievements I'd claim for Mann, and for Death in Venice.
I think about photographs as being full, or empty. You picture something in a frame and it's got lots of accounting going on in it-stones and buildings and trees and air - but that's not what fills up a frame. You fill up the frame with feelings, energy, discovery, and risk, and leave room enough for someone else to get in there.
Why is nobody questioning the sanity or suicidal tendencies of Everest ascenders? It's kind of a question of framing: How do you frame these activities? We frame them as freedom-loving, exciting, progressing sports and they are. But there are other ways to frame it. It's also true that these young men, neurologists say that their frontal lobes aren't developed yet - the long-term planning part of the brain.
Freedom for me is a strict frame, and inside that frame are all the variations possible.
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