A Quote by Ann Widdecombe

Always carry a handkerchief. Especially in television studios. — © Ann Widdecombe
Always carry a handkerchief. Especially in television studios.
Take my handkerchief, Scarlett. Never, at any crisis of your life, have I known you to have a handkerchief.
Television studios bet the farm on reality shows, where they didn't need any actors and movie studios had no plans for any quality movies that required the presence of me.
He produced a handkerchief—crisply folded—and handed it to her. She took it with silent astonishment. She’d never before known anyone who carried a handkerchief.
I hadn't been there [Comic-Con] before. It's pretty eye-opening, when you haven't been there, just with the sheer amount of fans that are there for different shows and films. It's like a big fan symposium, in a way, as well a way for film studios and television studios to really promote their product to their loyal audience base. It was an experience.
You can always spot a 'television personality', even when they aren't actually on television, because they carry their 'made-up' persona in front of them, like some sort of baffler, or Ready Brek force field. Their reach for notoriety predicated on that fulsome mediocrity of talent detailed above has become frozen in their faces.
Already he was a very different hobbit from the one that had run out without a pocket-handkerchief from Bag-End long ago. He had not had a pocket-handkerchief for ages.
I'll carry on, carry over, carry forward, Cary Grant, cash and carry, carry me back to Old Virginia, I'll even 'hari-kari' if you show me how, but I will not carry a gun!
New platforms are emerging: Netflix, Amazon, Hulu and Xbox. And film actors are gravitating towards television, because there are basically better roles there. Television is making the kind of epics and genres that the movie studios used to make, and often doing it better with more complex narratives and corresponding budgets.
I'm first and foremost a company man, surprising as that is. I love Warner Brothers. That's where I have a deal. That's where I've been for years. So I don't really interact too much with other studios and do things with other studios and I don't necessarily read scripts from other studios.
Between the marriages, I shagged my way round television studios like a mechanical digger.
Never trust a man who carries a handkerchief, I always say. One of many prejudicial rules of thumb.
Always carry a flagon of whiskey in case of snakebite and furthermore always carry a small snake.
Always carry a flagon of whiskey in case of snakebite, and furthermore always carry a small snake.
I think that probably the - I don't give quotes to studios. They have to get those out of the paper or from television. So they wouldn't have had my quote opening day.
The handkerchief dabbed at my forehead. 'Ouch! You'll have a fine-looking bruise tomorrow.' 'Then you'll be able to distinguish me from Rose.' The handkerchief paused. 'I could tell you apart from the beginning. You're quite different to each other, you know.' Perhaps he could tell, in the obvious ways. The odd one was Rose; the other odd one was Briony.
I think good-looking people seldom make good television. And American television studios almost concede before they start: 'Well, it won't be good, but at least it'll be good-looking. We'll have nice-looking girls in tight shirts with F.B.I. badges and fit-looking guys with lots of hair gel vaulting over things.'
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